Crowe Nick: differenze tra le versioni
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== Headline text == | == Headline text == | ||
Nick Crowe | Nick Crowe | ||
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− | + | 1 Biografia | |
2 Opere | 2 Opere | ||
3 Musei | 3 Musei | ||
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6 Poetica | 6 Poetica | ||
7 Progetti futuri | 7 Progetti futuri | ||
− | 8 Webliografia | + | 8 Webliografia |
[edit] | [edit] | ||
Riga 128: | Riga 127: | ||
Post-It, ICA, London; Midway Contemporary Art, Minneapolis | Post-It, ICA, London; Midway Contemporary Art, Minneapolis | ||
− | [[ Mostre personali e progetti]] | + | [[ Mostre personali e progetti princiopali]] |
− | 1994 | + | '''1994''' |
Train Up a Child in the Way he Should Go, Holden Gallery, Manchester, (with Index) | Train Up a Child in the Way he Should Go, Holden Gallery, Manchester, (with Index) | ||
− | + | '''1996''' | |
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− | 1996 | + | |
One Day and All of the Night - Internet Project for ArtAIDS, London. | One Day and All of the Night - Internet Project for ArtAIDS, London. | ||
Mugger Music, Manchester International Arts, multiple sites, Manchester (with Jane Gant, Ian Rawlinson and Graham Parker) | Mugger Music, Manchester International Arts, multiple sites, Manchester (with Jane Gant, Ian Rawlinson and Graham Parker) | ||
− | 1997 | + | '''1997''' |
Mugger Music, Lower Manhattan Cultural Council, multiple sites, New York. (with Ian Rawlinson and Graham Parker) | Mugger Music, Lower Manhattan Cultural Council, multiple sites, New York. (with Ian Rawlinson and Graham Parker) | ||
− | 1998 | + | '''1998''' |
The Ten Point Plan for a Better Helsinki, KIASMA, Helsinki (catalogue) | The Ten Point Plan for a Better Helsinki, KIASMA, Helsinki (catalogue) | ||
2 Space Architects, www.theannualprogram.com (with Ian Rawlinson) | 2 Space Architects, www.theannualprogram.com (with Ian Rawlinson) | ||
− | 1999 | + | '''1999''' |
2 Speakers, ICA, London, (with Ian Rawlinson) | 2 Speakers, ICA, London, (with Ian Rawlinson) | ||
The Citizens, pub. Book Works and Artec, | The Citizens, pub. Book Works and Artec, | ||
− | 2000 | + | '''2000''' |
Mobile Home Gallery, www.mobilehomegallery.com | Mobile Home Gallery, www.mobilehomegallery.com | ||
SERVICE2000, multiple sites, World Wide Web. | SERVICE2000, multiple sites, World Wide Web. | ||
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Stuff with Glass and Light, Chapter Gallery, Cardiff | Stuff with Glass and Light, Chapter Gallery, Cardiff | ||
The New Medium, Lux Gallery, London | The New Medium, Lux Gallery, London | ||
− | 2001 | + | '''2001''' |
Nasdaq Landscape, Yorkshire Sculpture Park, Wakefield | Nasdaq Landscape, Yorkshire Sculpture Park, Wakefield | ||
Kyoto Protocol, Flux Space, Flux Magazine Aug/Sept (with Ian Rawlinson) | Kyoto Protocol, Flux Space, Flux Magazine Aug/Sept (with Ian Rawlinson) | ||
− | 2002 | + | '''2002''' |
− | Explaining Urbanism to Wild Animals, Tmesis Gallery, Manchester (with Ian Rawlinson | + | Explaining Urbanism to Wild Animals, Tmesis Gallery, Manchester (with Ian Rawlinson) |
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− | + | '''2001''' | |
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The Fire’s Prayer, FACT Centre, Liverpool (with Ian Rawlinson) | The Fire’s Prayer, FACT Centre, Liverpool (with Ian Rawlinson) | ||
Opere | Opere | ||
− | Operation Telic (2005) | + | Operation Telic '''(2005)''' |
Glass engravings of the occupation of Iraq set on self-illuminating shelves. | Glass engravings of the occupation of Iraq set on self-illuminating shelves. | ||
Incisioni sul vetro, poggiati sui piani illuminati.Installazione | Incisioni sul vetro, poggiati sui piani illuminati.Installazione | ||
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− | + | Getting On '''(2003)''' | |
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− | Getting On (2003) | + | |
Installation of seven moblitiy scooters with classical soundtrack. | Installation of seven moblitiy scooters with classical soundtrack. | ||
Commissioned by Chisenhale Gallery, London. | Commissioned by Chisenhale Gallery, London. | ||
Riga 191: | Riga 169: | ||
− | Police Radio (2003) | + | Police Radio '''(2003)''' |
A web radio station made in collaboration with serving officers from Merseyside Police Force | A web radio station made in collaboration with serving officers from Merseyside Police Force | ||
Comissioned by FACT, Liverpool. | Comissioned by FACT, Liverpool. | ||
Riga 203: | Riga 181: | ||
Qualsiasi disputa, controversia, querela o richiesta di risarcimento, di qualunque natura, relativa all’accesso di questo sito web e i suoi contenuti con tutte le informazioni pubblicate o diffuse, sarà governata e interpretata conformemente alla legge Inglese e, a questo scopo, si accetta di sottoporsi irrevocabilmente all’ unica giurisdizione del tribunale inglese. | Qualsiasi disputa, controversia, querela o richiesta di risarcimento, di qualunque natura, relativa all’accesso di questo sito web e i suoi contenuti con tutte le informazioni pubblicate o diffuse, sarà governata e interpretata conformemente alla legge Inglese e, a questo scopo, si accetta di sottoporsi irrevocabilmente all’ unica giurisdizione del tribunale inglese. | ||
− | + | The World Wars '''(2003)''' | |
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− | The World Wars (2003) | + | |
A cyberglobe consisting of 74 web sites showing the world under constant attack. Commissioned by BECKS/ICA for Becks Futures 2003. Requires shockwave. | A cyberglobe consisting of 74 web sites showing the world under constant attack. Commissioned by BECKS/ICA for Becks Futures 2003. Requires shockwave. | ||
Un globo virtuale che consiste di 74 siti web indicanti il mondo sotto constante pericolo di attacco. | Un globo virtuale che consiste di 74 siti web indicanti il mondo sotto constante pericolo di attacco. | ||
− | + | Historic Link''' (2002)''' | |
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− | Historic Link (2002) | + | |
A found animation with an embedded url. | A found animation with an embedded url. | ||
Un’ animazione trovata con un URL radicato. | Un’ animazione trovata con un URL radicato. | ||
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− | + | Artones ringtones''' (2002)''' | |
− | Artones ringtones (2002) | + | |
A collection of screen logo’s and axis-of-evil ringtones. | A collection of screen logo’s and axis-of-evil ringtones. | ||
Una collezione di loghi di schermo e assi di cattive suonerie | Una collezione di loghi di schermo e assi di cattive suonerie | ||
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− | + | Different AVs''' (2002)''' | |
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− | Different AVs (2002) | + | |
Amended software for Palace Chatrooms. | Amended software for Palace Chatrooms. | ||
Commissioned by Channel4 Television & Arts Council of England. | Commissioned by Channel4 Television & Arts Council of England. | ||
Applicazione di software aggiornato per Chatrooms del palazzo reale. | Applicazione di software aggiornato per Chatrooms del palazzo reale. | ||
Commissionato dal Channel4 Television & Arts Council of England. | Commissionato dal Channel4 Television & Arts Council of England. | ||
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− | + | The Management Committee of the World Wide Web Consortium (w3c)''' (2000)''' | |
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− | The Management Committee of the World Wide Web Consortium (w3c) (2000) | + | |
Thirteen engraved glass portraits of the w3c’s management committee. | Thirteen engraved glass portraits of the w3c’s management committee. | ||
Tredici ritratti in vetro inciso del comitato di direzione della w3c. | Tredici ritratti in vetro inciso del comitato di direzione della w3c. | ||
− | Mobile Home, London (2000) | + | Mobile Home, London '''(2000)''' |
A web site for a commercial gallery. | A web site for a commercial gallery. | ||
Un sito web per una galleria commerciale. | Un sito web per una galleria commerciale. | ||
− | Architectural Association (2000) | + | Architectural Association '''(2000)''' |
A web site. | A web site. | ||
Un sito web | Un sito web | ||
− | SERVICE2000_7/29 (2000) | + | SERVICE2000_7/29''' (2000)''' |
a sample of 7 sites from a not-for-profit cybersquatting project using the names of London galleries. | a sample of 7 sites from a not-for-profit cybersquatting project using the names of London galleries. | ||
Una campionatura di 7 siti tratti da un progetto abusivo di ciber occupazione, che utilizza i nomi di gallerie di Londra. | Una campionatura di 7 siti tratti da un progetto abusivo di ciber occupazione, che utilizza i nomi di gallerie di Londra. | ||
− | Discrete Packets(2000) | + | Discrete Packets'''(2000)''' |
An interactive film work about a man who is trying to locate his missing daughter. | An interactive film work about a man who is trying to locate his missing daughter. | ||
Commissioned by DA2, Bristol/London for Video Positive 2000 Un’opera di film interattiva che tratta di un uomo che tenta di trovare sua figlia scomparsa | Commissioned by DA2, Bristol/London for Video Positive 2000 Un’opera di film interattiva che tratta di un uomo che tenta di trovare sua figlia scomparsa | ||
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− | The New Medium (1999) | + | The New Medium''' (1999)''' |
Fifteen engraved glass sheets from an online memorial site. | Fifteen engraved glass sheets from an online memorial site. | ||
Quindici lastre di vetro incise per un sito commemorativo online. | Quindici lastre di vetro incise per un sito commemorativo online. | ||
− | Y2K -The Relationship between Faith and Technology (1999) | + | Y2K -The Relationship between Faith and Technology '''(1999)''' |
A web animation. | A web animation. | ||
Commissioned by The Waiting Rooms. | Commissioned by The Waiting Rooms. | ||
Riga 285: | Riga 236: | ||
− | The Citizens (1999) | + | The Citizens''' (1999)''' |
A book work of personal homepages. | A book work of personal homepages. | ||
Commissioned by Book Works & ARTEC, London. | Commissioned by Book Works & ARTEC, London. | ||
Riga 291: | Riga 242: | ||
− | The 10 point plan for a Better Helsinki (1998) | + | The 10 point plan for a Better Helsinki '''(1998)''' |
A collection of web site designs to advocate for an urban improvement to central Helsinki. Made in KIASMA as part of the MUU media festival. | A collection of web site designs to advocate for an urban improvement to central Helsinki. Made in KIASMA as part of the MUU media festival. | ||
Un collezione di disegni siti web che promulgano un miglioramento urbano per Helsinki centrale. | Un collezione di disegni siti web che promulgano un miglioramento urbano per Helsinki centrale. | ||
− | Oneday and All of the Night (1996) | + | Oneday and All of the Night '''(1996)''' |
A web cam work made for World Aids Day 1996. | A web cam work made for World Aids Day 1996. | ||
Un’opera web cam creato per il giorno mondiale di AIDS 1996. | Un’opera web cam creato per il giorno mondiale di AIDS 1996. | ||
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Service 2000 Recostruction file | Service 2000 Recostruction file | ||
− | SERVICE2000 (2000) | + | SERVICE2000''' (2000)''' |
7 di 29 indirizzi di siti web | 7 di 29 indirizzi di siti web | ||
SERVICE2000 era un progetto che è stato realizzato durante giugno e luglio 2000. Le opere mostrate sono delle ricostruzioni d’esempi archiviati di siti e URL, dai quali sono state fornite perchè non sono più disponibili online. L’immagine sopra mostra come le opere sono state presentate nello spazio espositivo – come un istallazione di Macs dell’epoca. | SERVICE2000 era un progetto che è stato realizzato durante giugno e luglio 2000. Le opere mostrate sono delle ricostruzioni d’esempi archiviati di siti e URL, dai quali sono state fornite perchè non sono più disponibili online. L’immagine sopra mostra come le opere sono state presentate nello spazio espositivo – come un istallazione di Macs dell’epoca. | ||
+ | Different AVs '''(2002)''' | ||
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− | + | [[Musei]] | |
− | Musei | + | |
Le sue recenti esposizioni internazionali comprendono: | Le sue recenti esposizioni internazionali comprendono: | ||
Riga 318: | Riga 267: | ||
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− | + | [[Bibliografia | |
− | + | Articoli e stampa in generale]] | |
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Independent Collaborative Hospitality, Dave Beech VARIANT | Independent Collaborative Hospitality, Dave Beech VARIANT | ||
Volume 2, number 22, Spring 2005 | Volume 2, number 22, Spring 2005 | ||
Riga 329: | Riga 278: | ||
Gregor Schneider, Dave Beech, Art Monthly | Gregor Schneider, Dave Beech, Art Monthly | ||
December 2004 | December 2004 | ||
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Artranspennine03, Neil Mulholland, frieze | Artranspennine03, Neil Mulholland, frieze | ||
Issue 79, November - December 2003 | Issue 79, November - December 2003 | ||
Riga 349: | Riga 294: | ||
Nick Crowe, Martin Herbert, Time Out | Nick Crowe, Martin Herbert, Time Out | ||
9 - 16 July, 2003 | 9 - 16 July, 2003 | ||
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Mobility Allowance, Emmanuel Cooper, Ceramic Review | Mobility Allowance, Emmanuel Cooper, Ceramic Review | ||
4 July 2003 | 4 July 2003 | ||
Riga 361: | Riga 304: | ||
London, Critics Picks, Rachel Withers, Artforum.com | London, Critics Picks, Rachel Withers, Artforum.com | ||
June 2003 | June 2003 | ||
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Deuce, Tim Birch, City Life Magazine | Deuce, Tim Birch, City Life Magazine | ||
Issue 486, 21 - 28 May, 2003 | Issue 486, 21 - 28 May, 2003 | ||
Riga 368: | Riga 309: | ||
2 May 2003 | 2 May 2003 | ||
Anger is an energy, Niru Ratnam, I-D Magazine | Anger is an energy, Niru Ratnam, I-D Magazine | ||
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May 2003 | May 2003 | ||
Police Radio Project with a Difference, Laura Twemlow, Merseybeat | Police Radio Project with a Difference, Laura Twemlow, Merseybeat | ||
Riga 375: | Riga 314: | ||
Tasty dishes stand out in Beck’s menu, Charlotte Mullins, Financial Times | Tasty dishes stand out in Beck’s menu, Charlotte Mullins, Financial Times | ||
30 April, 2003 | 30 April, 2003 | ||
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Serious art, or pessimist chic?, JJ Charlesworth, The Daily Telegraph | Serious art, or pessimist chic?, JJ Charlesworth, The Daily Telegraph | ||
9 April, 2003 | 9 April, 2003 | ||
Riga 383: | Riga 320: | ||
The future’s dim, Adrian Searle, The Guardian | The future’s dim, Adrian Searle, The Guardian | ||
8 April, 2003 | 8 April, 2003 | ||
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Invisible Art is the new must-see, Nigel Reynolds, The Daily Telegraph | Invisible Art is the new must-see, Nigel Reynolds, The Daily Telegraph | ||
2 April 2003 | 2 April 2003 | ||
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Bedtime for Saatchi, Flachra Gibbons, The Guardian | Bedtime for Saatchi, Flachra Gibbons, The Guardian | ||
2 April, 2003 | 2 April, 2003 | ||
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The Ghost in the Machine, Mick Robertson, FLUX Magazine | The Ghost in the Machine, Mick Robertson, FLUX Magazine | ||
February 2003 | February 2003 | ||
Riga 399: | Riga 330: | ||
Private View, Tim Birch, City Life Magazine | Private View, Tim Birch, City Life Magazine | ||
Issue 467, 9 - 24 October 2002 | Issue 467, 9 - 24 October 2002 | ||
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Networking, Michael Gibbs, Art Monthly | Networking, Michael Gibbs, Art Monthly | ||
September 2002 | September 2002 | ||
Riga 407: | Riga 336: | ||
Ich Bin, Axel Lapp, Art Monthly | Ich Bin, Axel Lapp, Art Monthly | ||
September 2001 | September 2001 | ||
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From the Web To Eternity, Alex Perez, Business 2.0, | From the Web To Eternity, Alex Perez, Business 2.0, | ||
6 March 2001 | 6 March 2001 | ||
Riga 417: | Riga 344: | ||
Go West Young Man, Graham Parker, Art Monthly, | Go West Young Man, Graham Parker, Art Monthly, | ||
December/January 2001 | December/January 2001 | ||
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Dying is an Art and They Do it Very Well, Charles Darwent, Independent on Sunday, | Dying is an Art and They Do it Very Well, Charles Darwent, Independent on Sunday, | ||
10 Decermber 2000 | 10 Decermber 2000 | ||
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Site name taken? No problem - just join the dots, Sutherland Lyall, The Architects Journal, | Site name taken? No problem - just join the dots, Sutherland Lyall, The Architects Journal, | ||
Volume 212, No 16, 2 November 2000 | Volume 212, No 16, 2 November 2000 | ||
Riga 433: | Riga 354: | ||
Streaming Networks, Michael Gibbs. Art Monthly, | Streaming Networks, Michael Gibbs. Art Monthly, | ||
October 2000 | October 2000 | ||
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Gallery Detours, Michael Gibbs, Art Monthly, | Gallery Detours, Michael Gibbs, Art Monthly, | ||
September 2000 | September 2000 | ||
Riga 445: | Riga 364: | ||
The Men who Subverted the Tate on the Net, Marek Kohn, Independent on Sunday, | The Men who Subverted the Tate on the Net, Marek Kohn, Independent on Sunday, | ||
July 2000 | July 2000 | ||
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Data, P.U.R.E., | Data, P.U.R.E., | ||
June 2000 | June 2000 | ||
Riga 455: | Riga 372: | ||
Interface (editorial), Sight and Sound, | Interface (editorial), Sight and Sound, | ||
May 2000 | May 2000 | ||
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The New Medium, Flux Magazine, | The New Medium, Flux Magazine, | ||
January 2000 | January 2000 | ||
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Up Close and Personal, Marek Kohn, Independent on Sunday, | Up Close and Personal, Marek Kohn, Independent on Sunday, | ||
March 1999 | March 1999 | ||
Riga 469: | Riga 382: | ||
Mugger Music, Ginger Strand, Theater Journal, | Mugger Music, Ginger Strand, Theater Journal, | ||
May 1998 | May 1998 | ||
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Absolut New, Robert Clark, Artist Newsletter, | Absolut New, Robert Clark, Artist Newsletter, | ||
February 1998 | February 1998 | ||
Currents, Malcolm Miles, Artist Newsletter, | Currents, Malcolm Miles, Artist Newsletter, | ||
January 1998 | January 1998 | ||
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Live Art’s Digital Horizons, Barry Smith, Literary & Linguistic Computing, | Live Art’s Digital Horizons, Barry Smith, Literary & Linguistic Computing, | ||
Vol 12, Number 4, November 1997 | Vol 12, Number 4, November 1997 | ||
Riga 487: | Riga 394: | ||
Young Parents, Andrea McKean, MAKE, | Young Parents, Andrea McKean, MAKE, | ||
Number 76, May/June 1997 | Number 76, May/June 1997 | ||
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Mugger Music (walking the City), Ian Rawlinson, InterELIA Magazine, | Mugger Music (walking the City), Ian Rawlinson, InterELIA Magazine, | ||
Riga 497: | Riga 402: | ||
Number 10, Spring 1996 | Number 10, Spring 1996 | ||
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Xmas 1998, Robert Clark, The Guardian, | Xmas 1998, Robert Clark, The Guardian, | ||
June 1995 | June 1995 | ||
Riga 508: | Riga 411: | ||
Internet Art, Julian Stallabras | Internet Art, Julian Stallabras | ||
pub Tate Publications, London, 2003 | pub Tate Publications, London, 2003 | ||
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Can one curate successfully online?, Heidi Reitmaier in Future Art Symposia, | Can one curate successfully online?, Heidi Reitmaier in Future Art Symposia, | ||
pub Stans Cafe, Birmingham, 2001 | pub Stans Cafe, Birmingham, 2001 | ||
Up for Grabs, narrative and the net, Heidi Reitmaier in Supermanual | Up for Grabs, narrative and the net, Heidi Reitmaier in Supermanual | ||
pub FACT, Liverpool, 2001 | pub FACT, Liverpool, 2001 | ||
− | Hanno scritto di lui | + | [[Hanno scritto di lui]] |
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Pavel Büchler, Art Monthly, September 2004 | Pavel Büchler, Art Monthly, September 2004 | ||
Irwin, Art Monthly, April 2004 | Irwin, Art Monthly, April 2004 | ||
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Band Wagon Jumping, Art Monthly, December/January 2003 | Band Wagon Jumping, Art Monthly, December/January 2003 | ||
Dean Hughes, Art Monthly, April 2002 | Dean Hughes, Art Monthly, April 2002 | ||
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Constantly Falling Rocks, Life is Good in Manchester, pub Trice Publications, 2001 | Constantly Falling Rocks, Life is Good in Manchester, pub Trice Publications, 2001 | ||
Parallel Lines, Work and Leisure International, 1999, pub Trice Publications, 2000 | Parallel Lines, Work and Leisure International, 1999, pub Trice Publications, 2000 | ||
Riga 531: | Riga 425: | ||
Progect for the River Medlock, (with Ian Rawlinson) Landlines - Landscape Design Journal, December 1998 | Progect for the River Medlock, (with Ian Rawlinson) Landlines - Landscape Design Journal, December 1998 | ||
Isea 98, Artists Newsletter, September 1998 | Isea 98, Artists Newsletter, September 1998 | ||
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Connections, Artists Newsletter, December 1997 | Connections, Artists Newsletter, December 1997 | ||
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Web Sites, Live Art Magazine, No. 11, August - October 96 | Web Sites, Live Art Magazine, No. 11, August - October 96 | ||
Its Queer Up North, Live Art Magazine, No. 10, June - August 96 | Its Queer Up North, Live Art Magazine, No. 10, June - August 96 | ||
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The British Art Show, Live Art Magazine, No. 8, February - April 96 | The British Art Show, Live Art Magazine, No. 8, February - April 96 | ||
Deliciously Different, Hybrid Magazine, Issue 4, August-September 1993 | Deliciously Different, Hybrid Magazine, Issue 4, August-September 1993 | ||
− | Altri scritti | + | [[Altri scritti]] |
The Day the Internet Disappeared (MM, interracial,) Crash Media, June 1998 | The Day the Internet Disappeared (MM, interracial,) Crash Media, June 1998 | ||
− | Sito web | + | |
+ | [[Sito web]] | ||
http://www.nickcrowe.net/ | http://www.nickcrowe.net/ | ||
− | Poetica | + | |
+ | [[Poetica]] | ||
Negli ultimi anni il lavoro artistico di Nick Crowe si è sviluppato attraverso l’utilizzo di video, performance, disegni e molti altri mezzi espressivi passando anche attraverso realizzazioni di sculture pubbliche e ad altri interventi non necessariamente collegati agli spazi della galleria e del museo. Molte delle sue opere esaminano i paradigmi e le problematiche emerse dalla diffusione di Internet, esse cercano di gettare uno sguardo antropologico sui cambiamenti che Internet ha imposto sulle nostre relazioni sociali.In tutta questa serie di lavori, Crowe ha scritto libri, realizzato sculture, intagli in vetro, ma ha anche creato opere appositamente per la rete e una serie di animazioni digitali. Sempre all’interno di questo progetto, ha registrato il dominio di ventinove gallerie londinesi, ha creato volontariamente pagine web di pessimo gusto con tanto di musica di sottofondo e ha collegato fra di loro i vari siti, raccolti sotto il nome di SERVICE 2000 (vedi foto nelle opere). Alla base di questa ricerca c’è sempre il desiderio di descrivere e raccontare Internet come un propulsore di cambiamenti culturali, il suo lavoro cioè cerca di segnare come in una mappa questi luoghi e quei punti nei quali la rete ridisegna i confini sociali ed economici. Tracciare un identikit di chi passa le giornate a svolgere affari online, giocando in borsa e magari progettando proprie home pages e osservare tutti quegli e-mail che corrono velocissimi sui cavi. Il lavoro di Crowe è una sperimentazione interessante proprio perché in alcuni casi apre il confine dell’opera, dando la possibilità di intervenire da casa all’interno della mostra e viceversa grazie al web. | Negli ultimi anni il lavoro artistico di Nick Crowe si è sviluppato attraverso l’utilizzo di video, performance, disegni e molti altri mezzi espressivi passando anche attraverso realizzazioni di sculture pubbliche e ad altri interventi non necessariamente collegati agli spazi della galleria e del museo. Molte delle sue opere esaminano i paradigmi e le problematiche emerse dalla diffusione di Internet, esse cercano di gettare uno sguardo antropologico sui cambiamenti che Internet ha imposto sulle nostre relazioni sociali.In tutta questa serie di lavori, Crowe ha scritto libri, realizzato sculture, intagli in vetro, ma ha anche creato opere appositamente per la rete e una serie di animazioni digitali. Sempre all’interno di questo progetto, ha registrato il dominio di ventinove gallerie londinesi, ha creato volontariamente pagine web di pessimo gusto con tanto di musica di sottofondo e ha collegato fra di loro i vari siti, raccolti sotto il nome di SERVICE 2000 (vedi foto nelle opere). Alla base di questa ricerca c’è sempre il desiderio di descrivere e raccontare Internet come un propulsore di cambiamenti culturali, il suo lavoro cioè cerca di segnare come in una mappa questi luoghi e quei punti nei quali la rete ridisegna i confini sociali ed economici. Tracciare un identikit di chi passa le giornate a svolgere affari online, giocando in borsa e magari progettando proprie home pages e osservare tutti quegli e-mail che corrono velocissimi sui cavi. Il lavoro di Crowe è una sperimentazione interessante proprio perché in alcuni casi apre il confine dell’opera, dando la possibilità di intervenire da casa all’interno della mostra e viceversa grazie al web. | ||
Progetti futuri | Progetti futuri | ||
Riga 551: | Riga 444: | ||
Oltre che come artista Crowe ha lavorato in qualità di Direttore per l’Annual Programme, Manchester (1995-2001) e era membro del comitato organizzante per il padiglione di Manchester alla Binennale di Venezia del 2001. | Oltre che come artista Crowe ha lavorato in qualità di Direttore per l’Annual Programme, Manchester (1995-2001) e era membro del comitato organizzante per il padiglione di Manchester alla Binennale di Venezia del 2001. | ||
− | Webliografia | + | |
+ | ''Webliografia'' | ||
Nick Crowe artwork for download site | Nick Crowe artwork for download site | ||
The web site of Nick Crowe, an artist based in Manchester in the North West of | The web site of Nick Crowe, an artist based in Manchester in the North West of | ||
Riga 620: | Riga 514: | ||
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Revisione 22:33, 18 Apr 2006
Headline text
Nick Crowe ________________________________________ Tabella dei contenuti
== 1 Biografia 2 Opere 3 Musei 4 Bibliografia 5 Sito web 6 Poetica 7 Progetti futuri 8 Webliografia
[edit] Biografia nato: a Barnsley, Sud Yorkshire, Inghilterra nel 1968
1992 The Secret Installation of Nicolas Copernicus, Manchester Festival, (with Index) The Secret Diaries of Nicolas Copernicus, national tour (with Index) Emmanuel Enchanted, Forced Entertainment, national tour. A Brief History of the Mediterranean, Green Room, Manchester 1993 66 - 99 (with 33 between), Prema Arts Centre and tour, (with Index) Observations on Architecture, TVOD, Manchester. My A B C, TVOD, Manchester. 1994 Soft Rock, Institute of Contemporary Art, London, (with Index) Diverse City, Castlefield Gallery, Manchester, (with Index) The Alphabet of Dogs, Oliver Machine Works, Manchester, (with Index) Hidden J, Forced Entertainment, national tour. 1995 Knowledge is Power, ceramic workm multiple sites, (with Ania Witkowska) Cornerhouse - ArtHouse, Hacienda, Manchester, (with Index) Soft Rock, Silesian Museum, Katowice, Poland, (with Index) Ha!,10a Little Peter Street, Manchester, (with Index) 1997 AbsolutNew, Castlefield Gallery, Manchester Superstore, Cornerhouse Gallery, Manchester & Arnolfini Gallery, Bristol Connected, Northern Gallery of Contemporary Art, Sunderland Tutor with an Idea, Three Month Gallery, Liverpool. One Day and All of the Night - ISEA 97, Chicago Urbanites, City Racing, London (with Ian Rawlinson and Graham Parker) 20/20, Kingsgate Gallery, London Home Ideals, FAT, London Young Parents, Castlefield Gallery, Manchester (with Martin Vincent). 1996 Town (seen with a straight back), The Annual Programme, Manchester. BANK TV, ICA, London; Transmission, Glasgow; Unfair, Berlin; Live/Life, Lisbon. Something the Museum Sent Us, artists page, Versus Contemporary Art, Issue 5, (with Index) 1998 What Difference Does it Make?, Cambridge Darkroom Gallery 20/20, Angel Row, Nottingham Artranspennine98, Manchester (catalogue) (with Ian Rawlinson and Graham Parker) Manchester Academy of Fine Art 139th Open Exhibition (sponsor), Bury Art Gallery 1999 Museum Magogo, Glasgow Project Space, Glasgow MART, Centre for the Understanding of the Built Environment, Manchester (with Ian Rawlinson) VirtualTour, Museo de Monterrey, Mexico Vidarte, festival of video and electronic art, Mexico City, Mexico. Life is Good in Manchester, Celeste and Eliot Kunstsalon, Zurich Innovation and Tradition, Northview Gallery, Portland, Oregon (catalogue) (with Ian Rawlinson) 2000 7/5, Leeds Metropolitan University, Leeds (with Ian Rawlinson) In Memoriam, New Art Gallery, Walsall (catalogue) Boring, The Works Gallery, Birmingham Look and Feel, Büro Friedrich, Berlin (catalogue) Double Feature : Nick Crowe & Gary Hill, SFMOMA, San Francisco VIPER2000, Theater Basel, Basel Present & Display, Cab Gallery, London & Manchester net.congestion, De Baile, Amsterdam You Are Here, Metropolitan Galleries, Manchester Goethe’s Oak Has Woodworm, Static Gallery, Liverpool ManMOMA, International 3, Manchester Museum Magogo, pb gallery, Melbourne View and Re-view, London Print Studio, London Endings, Whitworth Art Gallery, Manchester Bono & Sting inhabit Lowry’s Living Room, FROM SPACE, Salford ’scape, Kiosk Photographers Gallery, Manchester (with Ian Rawlinson) SpaceCraft, VideoPositive2000, Liverpool 2001 A Fair Place, Nouvelle Peripheries/Museum of Contemporary Art, Istanbul The Digital Aesthetic, Harris Museum & Art Gallery, Preston The Second Builders Arms Summer Biennale, International3, Manchester Record Collection, International3, Manchester & Centre d’Art Contemporain, Geneva Ich Bin, 2YK Gallery, Berlin Short Stories,La Fabbrica Del Vapore, Milan (catalogue) Lovebytes 2001, Showroom Cinema, Sheffield (catalogue) Pixel, Chapman Gallery, Salford Nick Crowe & Kenny Hunter, Turnpike Gallery, Wigan Rotterdam International Film Festival, Rotterdam (catalogue) 2002 Sambond / Connections, Institute of Culture and Fine Art, Hafnarborg, Iceland Once Again, John Hansard Gallery, Southampton (catalogue) Artones, Liverpool Bienale, Liverpool 6/6, ibidprojects, London Tristero, Film and Video Umbrella, London Travelogue, Whitworth Art Gallery, Manchester (catalogue) Atmosphere, Manchester Art Gallery, Manchester Identinet, Channel 4 Television, London Reactions, Exit Art, New York TAXY, Essor Gallery Project Space, London 2003 Post-It, Floating IP, Manchester Blueprint Fakers & Citadel Makers, Comme Ca Art @ Debenhams, Manchester Thermo3, The Lowry, Salford Manchester Portfolio, London Print Studio, London Becks Futures, ICA, London; CCA, Glasgow; Southampton Art Gallery, Southampton (catalogue) 2004 FILE-2004, SESI Art Gallery, Sao Paulo (catalogue) Romantic Detachment, P.S.1/MoMA, New York;Q Gallery, Metro Cinema & Susumi Derby; Chapter Arts, Cardiff Futrology, New Art Gallery, Walsall (catalogue) Do Something, Floating IP, Manchester After Life, Bowes Museum, County Durham (catalogue) Futureways, Middelburg Triennale, De Vleeshal, Middelburg, Netherlands (catalogue) 2005 Christmas, con’temporary, Berlin Do You Like Stuff?, Swiss Institute, New York 9th International Istanbul Biennial, Istanbul (catalogue) Imagine, Osteopathic Centre for Children, Ancoats, Manchester. Insight, St Andrews Church, Holborn, London There is Always an Alternative, Temporary Contemporary, London; International3, Manchester (catalogue) Post-It, ICA, London; Midway Contemporary Art, Minneapolis
Mostre personali e progetti princiopali 1994 Train Up a Child in the Way he Should Go, Holden Gallery, Manchester, (with Index) 1996 One Day and All of the Night - Internet Project for ArtAIDS, London. Mugger Music, Manchester International Arts, multiple sites, Manchester (with Jane Gant, Ian Rawlinson and Graham Parker) 1997 Mugger Music, Lower Manhattan Cultural Council, multiple sites, New York. (with Ian Rawlinson and Graham Parker) 1998 The Ten Point Plan for a Better Helsinki, KIASMA, Helsinki (catalogue) 2 Space Architects, www.theannualprogram.com (with Ian Rawlinson) 1999 2 Speakers, ICA, London, (with Ian Rawlinson) The Citizens, pub. Book Works and Artec, 2000 Mobile Home Gallery, www.mobilehomegallery.com SERVICE2000, multiple sites, World Wide Web. Discrete Packets, New Media Centre, ICA, London Stuff with Glass and Light, Chapter Gallery, Cardiff The New Medium, Lux Gallery, London 2001 Nasdaq Landscape, Yorkshire Sculpture Park, Wakefield Kyoto Protocol, Flux Space, Flux Magazine Aug/Sept (with Ian Rawlinson) 2002 Explaining Urbanism to Wild Animals, Tmesis Gallery, Manchester (with Ian Rawlinson)
2001 The Fire’s Prayer, FACT Centre, Liverpool (with Ian Rawlinson) Opere
Operation Telic (2005) Glass engravings of the occupation of Iraq set on self-illuminating shelves. Incisioni sul vetro, poggiati sui piani illuminati.Installazione
Getting On (2003)
Installation of seven moblitiy scooters with classical soundtrack.
Commissioned by Chisenhale Gallery, London.
Istallazione di sette scooter per disabili con colonna sonora classica.
Police Radio (2003) A web radio station made in collaboration with serving officers from Merseyside Police Force Comissioned by FACT, Liverpool. Un stazione di radio sul web, creato in collaborazione con agenti di polizia in servizio presso la stazione di polizia, Merseyside. Commisionato dal FACT, Liverpool
Qualsiasi disputa, controversia, querela o richiesta di risarcimento, di qualunque natura, relativa all’accesso di questo sito web e i suoi contenuti con tutte le informazioni pubblicate o diffuse, sarà governata e interpretata conformemente alla legge Inglese e, a questo scopo, si accetta di sottoporsi irrevocabilmente all’ unica giurisdizione del tribunale inglese.
The World Wars (2003) A cyberglobe consisting of 74 web sites showing the world under constant attack. Commissioned by BECKS/ICA for Becks Futures 2003. Requires shockwave. Un globo virtuale che consiste di 74 siti web indicanti il mondo sotto constante pericolo di attacco.
Historic Link (2002) A found animation with an embedded url. Un’ animazione trovata con un URL radicato.
Artones ringtones (2002) A collection of screen logo’s and axis-of-evil ringtones. Una collezione di loghi di schermo e assi di cattive suonerie
Different AVs (2002) Amended software for Palace Chatrooms. Commissioned by Channel4 Television & Arts Council of England. Applicazione di software aggiornato per Chatrooms del palazzo reale. Commissionato dal Channel4 Television & Arts Council of England.
The Management Committee of the World Wide Web Consortium (w3c) (2000) Thirteen engraved glass portraits of the w3c’s management committee. Tredici ritratti in vetro inciso del comitato di direzione della w3c.
Mobile Home, London (2000)
A web site for a commercial gallery.
Un sito web per una galleria commerciale.
Architectural Association (2000)
A web site.
Un sito web
SERVICE2000_7/29 (2000)
a sample of 7 sites from a not-for-profit cybersquatting project using the names of London galleries.
Una campionatura di 7 siti tratti da un progetto abusivo di ciber occupazione, che utilizza i nomi di gallerie di Londra.
Discrete Packets(2000)
An interactive film work about a man who is trying to locate his missing daughter.
Commissioned by DA2, Bristol/London for Video Positive 2000 Un’opera di film interattiva che tratta di un uomo che tenta di trovare sua figlia scomparsa
E’ un film che si insinua tra programmi di navigazione, siti internet per rintracciare persone scomparse e pornografia on-line. E’ un film per Internet e su Internet: un’opera che cerca di tradurre l’estrema permeabilità della rete in un’esperienza quasi cinematica. E in particolare è un’opera d’arte progettata e creata per essere vista da una persona alla volta.
The New Medium (1999)
Fifteen engraved glass sheets from an online memorial site.
Quindici lastre di vetro incise per un sito commemorativo online.
Y2K -The Relationship between Faith and Technology (1999)
A web animation.
Commissioned by The Waiting Rooms.
Un’animazione di web. – Commissionato dal The Waiting Rooms
The Citizens (1999)
A book work of personal homepages.
Commissioned by Book Works & ARTEC, London.
Un opera letteraria di homepage personali.
The 10 point plan for a Better Helsinki (1998)
A collection of web site designs to advocate for an urban improvement to central Helsinki. Made in KIASMA as part of the MUU media festival.
Un collezione di disegni siti web che promulgano un miglioramento urbano per Helsinki centrale.
Oneday and All of the Night (1996)
A web cam work made for World Aids Day 1996.
Un’opera web cam creato per il giorno mondiale di AIDS 1996.
Service 2000 Recostruction file SERVICE2000 (2000) 7 di 29 indirizzi di siti web SERVICE2000 era un progetto che è stato realizzato durante giugno e luglio 2000. Le opere mostrate sono delle ricostruzioni d’esempi archiviati di siti e URL, dai quali sono state fornite perchè non sono più disponibili online. L’immagine sopra mostra come le opere sono state presentate nello spazio espositivo – come un istallazione di Macs dell’epoca.
Different AVs (2002)
Musei Le sue recenti esposizioni internazionali comprendono:
[[Bibliografia Articoli e stampa in generale]]
Independent Collaborative Hospitality, Dave Beech VARIANT
Volume 2, number 22, Spring 2005
Explaining Urbanism to Wild Animals, Mark Crinson, MUTE
Issue 29, February 2005
Gregor Schneider, Dave Beech, Art Monthly
December 2004
Artranspennine03, Neil Mulholland, frieze
Issue 79, November - December 2003
Nick Crowe and the Merseyside Police Hitlist, Jessica Lack, The Guardian
6 October 2003
Hepworth, not Hirst: the modest ministerial tastes, Marie Woolf, The Independent
20 September 2003
Nick Crowe, Marcus Verhagen, Art Review
September 2003
Insider - Steal fun from old people, Tom Morton, ARENA
August, 2003
The Show Must Go On!, Colin, www.preromanbritain.com
August, 2003
Chariots of Ire, Helen Sumpter, Big Issue
Issue 548, 14 - 20 July, 2003
Nick Crowe, Martin Herbert, Time Out
9 - 16 July, 2003
Mobility Allowance, Emmanuel Cooper, Ceramic Review
4 July 2003
Crowe’s show takes us for a ride, Ben Deighton, Hackney Gazette
3 July 2003
Nick Crowe and Ian Rawlinson, Paul Bayley, Art and Christian Enquiry
Issue 35, July 2003
Nick Crowe & Ian Rawlinson, Emma Safe, Art Monthly
June 2003
London, Critics Picks, Rachel Withers, Artforum.com
June 2003
Deuce, Tim Birch, City Life Magazine
Issue 486, 21 - 28 May, 2003
Duality and Duplicity on Show, Lucy White, Metro North West
2 May 2003
Anger is an energy, Niru Ratnam, I-D Magazine
May 2003
Police Radio Project with a Difference, Laura Twemlow, Merseybeat
May, 2003
Tasty dishes stand out in Beck’s menu, Charlotte Mullins, Financial Times
30 April, 2003
Serious art, or pessimist chic?, JJ Charlesworth, The Daily Telegraph
9 April, 2003
Social commentary, Alex Holroyd, The Morning Star
9 April 2003
The future’s dim, Adrian Searle, The Guardian
8 April, 2003
Invisible Art is the new must-see, Nigel Reynolds, The Daily Telegraph
2 April 2003
Bedtime for Saatchi, Flachra Gibbons, The Guardian
2 April, 2003
The Ghost in the Machine, Mick Robertson, FLUX Magazine
February 2003
Certifiable Art, Paul Black, Flash Art
October 2002
Private View, Tim Birch, City Life Magazine
Issue 467, 9 - 24 October 2002
Networking, Michael Gibbs, Art Monthly
September 2002
Swetlana Heger, Nick Crowe, Roland Boden, Sally O Reilly, Time Out
18 -25 September 2002
Ich Bin, Axel Lapp, Art Monthly
September 2001
From the Web To Eternity, Alex Perez, Business 2.0,
6 March 2001
Life is Good in Manchester, Ronnie Simpson, Art Review,
December/January 2001
The user takes all, Georg Schoellhammer, Springerin,
December/January 2001
Go West Young Man, Graham Parker, Art Monthly,
December/January 2001
Dying is an Art and They Do it Very Well, Charles Darwent, Independent on Sunday,
10 Decermber 2000
Site name taken? No problem - just join the dots, Sutherland Lyall, The Architects Journal,
Volume 212, No 16, 2 November 2000
Solid Foundations, Marjorie Allthorpe Guyton and Paul Glinkowski, Tate Magazine,
Winter 2000
Digital Folk Artist Nick Crowe Subverts Human-Web Interaction, Glen Hefland, SF Gate,
Monday 31 October 2000
Streaming Networks, Michael Gibbs. Art Monthly,
October 2000
Gallery Detours, Michael Gibbs, Art Monthly,
September 2000
SERVICE2000, Mike Dawson, FLUX Magazine
August 2000
Seeing Double, Mike Barnet , City Life Magazine,
issue 410, July 2000
Alter e-galleries, Jon Thomson, www.eyestorm.com,
12 July 2000
The Men who Subverted the Tate on the Net, Marek Kohn, Independent on Sunday,
July 2000
Data, P.U.R.E.,
June 2000
Artists as Workers and Technology as Artists, Dr Future, VARIANT,
Vol 2, No. 11, Summer 2000
The Other Side of Zero, Graham Parker, Art Monthly,
May 2000
Interface (editorial), Sight and Sound,
May 2000
The New Medium, Flux Magazine,
January 2000
Up Close and Personal, Marek Kohn, Independent on Sunday,
March 1999
Uimassa Toolonahdella, Milla Autio, Helsinki Sanomat,
8 October 1998
Four days, a thousand miles, the Gazza diet & artranspennine98, Jamie Robinson, Blueprint,
No 152, July/August 1998
Mugger Music, Ginger Strand, Theater Journal,
May 1998
Absolut New, Robert Clark, Artist Newsletter,
February 1998
Currents, Malcolm Miles, Artist Newsletter,
January 1998
Live Art’s Digital Horizons, Barry Smith, Literary & Linguistic Computing,
Vol 12, Number 4, November 1997
Tight Shoes and the lump-cut (Walter’s Embrace), Rob Stone, Coil #5,
Autumn 1997
Concrete Metropolis, Tyler Thoreson, Total New York,
June 1997
Young Parents, Andrea McKean, MAKE,
Number 76, May/June 1997
Mugger Music (walking the City), Ian Rawlinson, InterELIA Magazine, Issue 2, Winter 1996 The British Art Show 4, Libby Anson, Contemporary Art Magazine, Vol 3, Number 2, Spring 1996 Ha!, Robert Clark, Untitled, Number 10, Spring 1996
Xmas 1998, Robert Clark, The Guardian, June 1995 Monografie e cataloghi pubblicati Urban Memory, History and amnesia in the modern city, Mark Crinson (ed) pub Routledge, London, 2005 New Media Art, Practice and Context in the UK, 1994 - 2004, Lucy Kimbell (ed) pub Arts Council England / Cornerhouse Publications, London/Manchester, 2004 Internet Art, Julian Stallabras pub Tate Publications, London, 2003 Can one curate successfully online?, Heidi Reitmaier in Future Art Symposia, pub Stans Cafe, Birmingham, 2001 Up for Grabs, narrative and the net, Heidi Reitmaier in Supermanual pub FACT, Liverpool, 2001 Hanno scritto di lui Pavel Büchler, Art Monthly, September 2004 Irwin, Art Monthly, April 2004 Band Wagon Jumping, Art Monthly, December/January 2003 Dean Hughes, Art Monthly, April 2002 Constantly Falling Rocks, Life is Good in Manchester, pub Trice Publications, 2001 Parallel Lines, Work and Leisure International, 1999, pub Trice Publications, 2000 Websites, AN Magazine, October 2000 Progect for the River Medlock, (with Ian Rawlinson) Landlines - Landscape Design Journal, December 1998 Isea 98, Artists Newsletter, September 1998 Connections, Artists Newsletter, December 1997 Web Sites, Live Art Magazine, No. 11, August - October 96 Its Queer Up North, Live Art Magazine, No. 10, June - August 96 The British Art Show, Live Art Magazine, No. 8, February - April 96
Deliciously Different, Hybrid Magazine, Issue 4, August-September 1993
Altri scritti The Day the Internet Disappeared (MM, interracial,) Crash Media, June 1998
Sito web http://www.nickcrowe.net/
Poetica Negli ultimi anni il lavoro artistico di Nick Crowe si è sviluppato attraverso l’utilizzo di video, performance, disegni e molti altri mezzi espressivi passando anche attraverso realizzazioni di sculture pubbliche e ad altri interventi non necessariamente collegati agli spazi della galleria e del museo. Molte delle sue opere esaminano i paradigmi e le problematiche emerse dalla diffusione di Internet, esse cercano di gettare uno sguardo antropologico sui cambiamenti che Internet ha imposto sulle nostre relazioni sociali.In tutta questa serie di lavori, Crowe ha scritto libri, realizzato sculture, intagli in vetro, ma ha anche creato opere appositamente per la rete e una serie di animazioni digitali. Sempre all’interno di questo progetto, ha registrato il dominio di ventinove gallerie londinesi, ha creato volontariamente pagine web di pessimo gusto con tanto di musica di sottofondo e ha collegato fra di loro i vari siti, raccolti sotto il nome di SERVICE 2000 (vedi foto nelle opere). Alla base di questa ricerca c’è sempre il desiderio di descrivere e raccontare Internet come un propulsore di cambiamenti culturali, il suo lavoro cioè cerca di segnare come in una mappa questi luoghi e quei punti nei quali la rete ridisegna i confini sociali ed economici. Tracciare un identikit di chi passa le giornate a svolgere affari online, giocando in borsa e magari progettando proprie home pages e osservare tutti quegli e-mail che corrono velocissimi sui cavi. Il lavoro di Crowe è una sperimentazione interessante proprio perché in alcuni casi apre il confine dell’opera, dando la possibilità di intervenire da casa all’interno della mostra e viceversa grazie al web. Progetti futuri
Oltre che come artista Crowe ha lavorato in qualità di Direttore per l’Annual Programme, Manchester (1995-2001) e era membro del comitato organizzante per il padiglione di Manchester alla Binennale di Venezia del 2001.
Webliografia Nick Crowe artwork for download site The web site of Nick Crowe, an artist based in Manchester in the North West of England. Digital works available for downloading includes The World Wars, ... lingua: en http://go.virgilio.it/clkc_M_search_siti_google__0_1_1/http://www.nickcrowe.net/ nickcrowe.net/onlineworks/discretepackets Discrete Packets (2000). version for mac users • version for pc users. load the ppp.htm into your browser and then go to Yahoo. lingua: en http://go.virgilio.it/clkc_M_search_siti_google__0_1_2/http://www.nickcrowe.net/online/discretepackets/index.html 0100101110101101.ORG > Media coverage NICK CROWE (http://www.nickcrowe.net) comenzó su trayectoria artística como escultor de obras públicas, pero rápidamente se acercó al vídeo, la performance ... lingua: es http://go.virgilio.it/clkc_M_search_siti_google__0_1_3/http://0100101110101101.org/texts/ciberpais_hell1-sp.html 0100101110101101.ORG > Media coverage Nick Crowe: www.nickcrowe.net/ Dia Center for the Arts: www.diacenter.org/ Douglas Davis: math240.lehman.cuny.edu/art/ Janine Gordon: www.thing.net/~janine/ ... http://go.virgilio.it/clkc_M_search_siti_google__0_1_4/http://0100101110101101.org/texts/lapiz_copy-it.html mainpage http://www.nickcrowe.net/online/10pointplan/10pointplan.pdf. The Citizens 1999, web pages and artist’s book A collection of personal homepages hand-rendered ... lingua: en http://go.virgilio.it/clkc_M_search_siti_google__0_1_5/http://www.identinet.net/html/crowe-previous.html net . cong es t ion Nick Crowe: nickcrowe.net, Manchester, UK Nora Barry: The Bit Screen, Narberth, USA Fabian Wagminster: Los Angeles, USA / Argentina ... lingua: en http://go.virgilio.it/clkc_M_search_siti_google__0_1_6/http://net.congestion.org/html/programme.html Anthropology.net, Jon Thomson anthropology.net In less than a decade, the internet has been compulsively ... project made with support from Artec in London. http://www.nickcrowe.net. ... lingua: en http://go.virgilio.it/clkc_M_search_siti_google__0_1_7/http://www.thomson-craighead.net/docs/anthro.html eyestorm - article - Alter e-galleries http://www.nickcrowe.net Jon Thomson is an artist based in London working in collaboration with Alison Craighead. http://www.thomson-craighead.net ... lingua: en http://go.virgilio.it/clkc_M_search_siti_google__0_1_8/http://www.eyestorm.com/feature/ED2n_article.asp?article_id=118 Rhizome.org: Nick Crowe ... After Life, Bowes Museum, County Durham and the First Middelburg Triennale, Middelburg, Netherlands. Visit www.nickcrowe.net for uptodate biog. Art Work ... lingua: en http://go.virgilio.it/clkc_M_search_siti_google__0_1_9/http://rhizome.org/member.rhiz?user_id=1021860 Variant | 22 Spring 2005 http://nickcrowe.net • www.sparwasserhq.de • www.dave.beech.clara.net. Transfiguration of the Commonplace Anna Dezeuze Art, life and the everyday: a history ... lingua: en http://go.virgilio.it/clkc_M_search_siti_google__0_1_10/http://www.variant.randomstate.org/issue22.html
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