Aceti Lanfranco: differenze tra le versioni

Revisione 15:25, 2 Dic 2009

foto Lanfranco Aceti

Aceti Lanfranco

Lanfranco Aceti lavora come accademico, artista e curatore. È professore associato in Arte Contemporanea e Cultura Digitale alla Sabanci University di Istanbul.

Biografia

Lanfranco Aceti lavora come accademico, artista e curatore. È professore associato in Arte Contemporanea e Cultura Digitale alla Sabanci University di Istanbul. La sua ricerca interdisciplinare si concentra sull'intersezione delle arti digitali, culture visuali e tecnologie dei nuovi media. È specializzato nella traduzione intersemiotica tra media classici e nuovi media, processi contemporanei di ibridazione digitale, l'avanguardia storica e contemporanea, e le applicazioni di nuovi media nel campo dell'arte contemporanea. È anche un Honorary Lecturer al dipartimento di Informatica, Ambienti di Realtà Virtuale a UCL. È stato infine Honorary Research Fellow alla Slade School of Fine Art e ha anche lavorato come ricercatore post-dottorato, sponsorizzato dall'AHRC a Birkbeck College, Università di Londra e come Visiting Research Fellow al Victoria and Albert Museum.

Sito web

http://www.lanfrancoaceti.com

Poetica

La poetica di Lanfranco Aceti è riconducibile ai New Media, alla Digital Culture, al Virtual Reality Environments, alla Contemporary History of Art and Curatorial Studies.

Opere

• Erosion
• Uncompromising Hostility

Mostre

• Un elenco di eventi significativi:

• Artistic squatting
• Screams at Neue Nationalgalerie
• Screams at centre Pompidou
• Screams at Moma
• Screams at Tate Modern
• Will Henry jenkins hear about it

Bibliografia

• Libri
• Aceti, Lanfranco, The Precarious State of Italian Film: Between Nostalgia and Aesthetic Failures, Italian Film Directors in the New Millennium, Hope, William (ed.), Cambridge: Cambridge Scholars Publishing (forthcoming)
• Pubblicazioni
• Lanfranco Aceti, Instantaneously Mediated Virtual Visions: The Transmedia Circuit of Images, Body and Meanings, ISEA 2008 (International Symposium on Electronic Art), Singapore, 25 July-3 August 2008.
• Lanfranco Aceti, The Precarious State of Italian Film: Between Nostalgia and Aesthetic Failures, New Authors/Auteurs: into the New Millennium, University of Salford, UK, 27-29 June 2008.
• Lanfranco Aceti, Migration, Reception and Return: Sicily between Provincialism and Globalization, (panel chair) Conference of The American Association of Italian Studies: Alla Scoperta della Sicilia/Discovering Sicily, Giardini Naxos, Italy, 22-24 May 2008.
• Lanfranco Aceti, Freedom: Verga’s Relationship with Alternative Forms of Representation, Intercontextualization and Recontextualization, Society for Italian Studies Interim Conference, Transmissions and Transformations of Italian Culture, Institute of Germanic & Romance * * Studies, University of London, 25-26 April 2008.
• Lanfranco Aceti, Degenerate Art Degenerate Religion: Language of Distortion and Language of Oppression, MP: An Online Feminist Journal, issue 1, no. 2, Jan. 2008, Rutgers University.
• Lanfranco Aceti, Rational and Irrational Fears in the Age of Religious Fundamentalism, Esse arts + opinions, Fear II, issue no. 62, Winter, 2008.
• Lanfranco Aceti, I Am Sorry: The Exhibition Has Been Censored by the Artist, NEME, 10 Dec. 2007.
• Lanfranco Aceti, Compressions and Expressions: Digital Arts Beyond Destruction, Space and Time, Elnution Magazine no 5, MIT Leonardo Section, 10 Dec. 2007.
• Lanfranco Aceti, Is Islam the Crux of Europe? Faith, Culture and the Honorable Killing of Secularism?, KCTOS: Knowledge, Creativity and Transformations of Societies Conference, Institut für Kultur- und Sozialanthropologie; Universität Wien, Vienna, Austria, 6-9 Dec. 2006.
• Lanfranco Aceti, Networked Art: Displaced Commentaries, Multiple Artifices and Many Authors?, (panel chair) MiT5 Media in Transition: Creativity, Ownership and Collaboration in the Digital Age, Massachusetts Institute of Technology, Cambridge, USA, 27-29 April 2007.
• Lanfranco Aceti, Television Aesthetics: An Old Medium and a Thousand New Screens, The Screen Conference, Glasgow University, Scotland, 30 June-2 July 2006.
• Lanfranco Aceti, Without Measure, Without Excess: My Art Is the Scream – My Art Is the Silence, The Happy Choice: Measure or Excess, 11th Annual Conference of The International Society of Phenomenology, Fine Arts and Aesthetics, Harvard University, Cambridge, USA, 26-27 May 2006.
• Lanfranco Aceti, Imaged Cities: War Times and Spaces of Peace, Art and the City Conference, Universiteit van Amsterdam, Institute of Culture and History, Amsterdam, 11-12 May 2006.
• Lanfranco Aceti, The Im-/possible Visions of Im-/signs: Pasolini, Deleuze and the Cinematic Chaos, Engaging the im-/possible? An International Inter-disciplinary Conference, Central Saint Martins College of Art and Design, London, 27 Oct. 2005.
• Lanfranco Aceti, John Francescutti and Andrea Brogni, Realities And Virtualities: The Networking Of Viewers, Information And Spaces, Atti del Museo Civico di Storia Naturale - XV Congresso Associazione Nazionale Musei Scientifici - Museo Oggi, tra Reale e Virtuale, Museo Civico di Storia Naturale di Trieste, 2005, 51 (suppl.), 15-18.
• Lanfranco Aceti, Intermedia Narratives: European Cinema Militans, (panel chair) MiT4 Media In Transition: The Work of Stories, Massachusetts Institute of Technology, Cambridge, USA, 6-8 May 2005.
• Lanfranco Aceti, Film Vision: Cinema and the Brain, New Physio-ideological Interactions, Cinema and Technology International Conference, Lancaster University, UK, 6-9 April 2005.
• Lanfranco Aceti, Avatars and Virtual Environments, E-merge 04, research seminar series on digital narrative, Thames Valley University, London, 22 Jan. 2005.
• Lanfranco Aceti, The Hyperreality of Global Democracy and the Reality of a Void and Illusionary Enslavement, Bad Subjects, issue no. 69, June 2004.
• Lanfranco Aceti, Selling Out Digital Identities, Ciber@rt Bilbao 2004, Challenges for a Ubiquitous Identity. Presented the video piece 45minuets: dancing the whitewash waltz at the International Festival of New Technologies, Art + Communication, Bilbao, Spain, 23-30 April 2004.
• Lanfranco Aceti, Digital Workspace + Digital Creativity = Digital Identity, Pixel Raiders2, Sheffield University, UK, 5-8 April 2004.
• Lanfranco Aceti, Prosthesis’ Digital Aesthetic: The Integrated Technology of Human Extensions, Transvision 2003, The Adaptable Human Body: Transhumanism and Bioethics in the 21st Century, Luce Hall, Yale University, USA, 27-29 June 2003
• Lanfranco Aceti, Digital Horror: Is It Real?, Genocide and the World Community: Accountability, Consequences & Prevention, The Fifth Biennial Conference of The International Association of Genocide Scholars, Irish Human Rights Centre, Galway, Ireland, 7-10 June 2003.
• Lanfranco Aceti, Arts In A Box: The Cyber-Electronic-Multimedia-Digital Process. Conference Inscriptions In The Sand: an arts and culture conference and festival, Eastern Mediterranean University, Cyprus, June 2003.
• Lanfranco Aceti, The Aesthetic of True Digital Illusions: Crossing Several Roads at the Same Time. ISPAFA Conference ‘Beauty, Truth and Goodness: Aesthetics at the Crossroad’, Harvard Divinity School, Cambridge, USA,16-18 May 2003. Published in Human Creation Between Reality and Illusion, series Analecta Husserliana, Vol. 87, Tymieniecka, A-T. (Ed.), 2005.
• Lanfranco Aceti, Interactive Integrated Media: in the ‘Agon’ of Convergence, MiT3 Media in Transition: Television in Transition, Massachusetts Institute of Technology, Cambridge, USA, 2-4 May 2003.
• Lanfranco Aceti, …land[e]scapes in the Digital Mind: New York, Chicago, Los Angeles: the Digital Film of Virtual Space, Culture and Representations II, School of American and Canadian Studies, University of Nottingham, UK, 4-5 Apr. 2003.
• Lanfranco Aceti, Interactive Integrated Media: Entertainment Formats in the 21st Century, seminar at Imperial College, Intelligent Interactive Systems, Department of Electrical and Electronic Engineering, London, 26 Mar. 2003.
• Lanfranco Aceti, Philosophical Computer Codification as Art Form, research symposium: Encoding Contemporary Art, New Media, Social Context and Aesthetic, Central Saint Martins College of Art and Design, London, 13-14 Feb. 2003.
• Lanfranco Aceti, Getting Laid on the Procrustean Bed: Art Practice in the Digital World, One Man Versus One Pixel, ‘CHArt Conference; Digital Art History?’ British Academy and the Courtauld Institute of Art, London, 14-15 Nov. 2002. Published in Digital Art History? - Exploring Practice in a Networked Society, eds. A. Bentkowska and T. Cashen, CHArt Online Conference Proceedings, vol. 5, November 2003.
• Lanfranco Aceti, Forma Locutionis in a Digital Eco-Space, Creativity, Culture and Environment, University of Leeds, UK, 6-8 Sept. 2002.

• Interviste

• Curating Mutability: In The Flux of Artistic Context, /seconds issue no. 8, interview by John Francescutti, 7 July 2008.
• FRAMED: From Virtual to Real, the Aesthetic Conditioning of the Viewer, /seconds issue no. 6, interview by John Francescutti, 6 July 2007.
• Real and Virtual: Curatorial Practices and Artistic Aesthetics, in Sabine Hochrieser, Michael Kargl and Franz Thalmair, eds., Circulating Contexts: CURATING MEDIA/NET/ART (Norderstedt: 2007), interview by John Francescutti.
• Uncompromising Hostility: An Interview with Lanfranco Aceti, Afterimage, 2006 issue no. 34, 1-2, pp. 48-51, interview by Gulsen Bal.
• Interactive Integrated Media, Sanatdünyamiz issue no. 96, 2005: 146-159,
• interview by Gulsen Bal.

• Articoli

• Aceti Lanfranco, The Disappearance of signs in a landscape of deceptions, NeMe (forthcoming)
• Aceti Lanfranco, A web of pixelated textures and intricate behaviors Rèel-virtuel (forthcoming) (AHCI)
• Aceti Lanfranco, Culturally transplanted and displaced: the geographies of re-production of space and identity, Performance Research (forthcoming) (AHCI)
• Aceti Lanfranco, What is the only legacy of new media is a static image? The Curatorial struggle in preserving new media's aesthetics and art practices. Collections: A journal for Museum and Archives Professionals (forthcoming) (AHCI)
• Aceti, Lanfranco, Whitout visible scars: digital art and the memory of war. Leonardo, Vol. 42, No.1, February 2009, 16-26 (AHCI)

• Pubblicazioni di Conferenze

• Aceti Lanfranco, The normalization of the cyborg: from futuristic artistic expression of mutilation to daily aesthetic beuty, ISEA 2009, Belfast, United Kingdom: University of Ulster 2009.

• Pubblicazioni Speciali

• Aceti Lanfranco, Gernalzick and Nadja, the integral part: Proposal for a reconsideration of an aristotelian concept for contemporary typologies of transmedia change of the narrative message, olms verlag, series passagen/passages: Transdsziplinar Kulturperspektiven/Transdisciplinary cultural perspectives

Webliografia