Le arti delle reti: differenze tra le versioni
| Riga 20: | Riga 20: | ||
''Testi sull’arte delle reti:'' | ''Testi sull’arte delle reti:'' | ||
| − | [[Adrian Robert]] | + | ==[[Adrian Robert]]== |
*[[Art and Telecommunication, 1979-1986: The Pioneer Years]] | *[[Art and Telecommunication, 1979-1986: The Pioneer Years]] | ||
| − | [[Ascott Roy]] | + | ==[[Ascott Roy]]== |
*[[Is There Love in the Telematic Embrace?]] | *[[Is There Love in the Telematic Embrace?]] | ||
| − | [[Berry Josephine]] | + | ==[[Berry Josephine]]== |
*[[Tactical Art in Virtual Space 1]] | *[[Tactical Art in Virtual Space 1]] | ||
*[[Tactical Art in Virtual Space 2]] | *[[Tactical Art in Virtual Space 2]] | ||
| − | [[Broeckmann Andreas]] | + | ==[[Broeckmann Andreas]]== |
*[[Net. Art, Macchine e Parassiti]] | *[[Net. Art, Macchine e Parassiti]] | ||
*[[Art in the electronic networks]] | *[[Art in the electronic networks]] | ||
| Riga 41: | Riga 41: | ||
| − | [[Couey Anna]] | + | ==[[Couey Anna]]== |
*[[Cyber Art: The Art of Communication Systems]] | *[[Cyber Art: The Art of Communication Systems]] | ||
*[[Art Works as Organic Communication Systems]] | *[[Art Works as Organic Communication Systems]] | ||
| − | [[Cramer Florian]] | + | ==[[Cramer Florian]]== |
*[[Software Art (Florian Cramer e Ulrike Gabriel)]] | *[[Software Art (Florian Cramer e Ulrike Gabriel)]] | ||
*[[Free software as collaborative text]] | *[[Free software as collaborative text]] | ||
| Riga 54: | Riga 54: | ||
| − | [[Critical Art Ensemble]] | + | ==[[Critical Art Ensemble]]== |
*[[Electronic Civil Disobedience, Simulation, and the Public Sphere (di Steven Kurtz)]] | *[[Electronic Civil Disobedience, Simulation, and the Public Sphere (di Steven Kurtz)]] | ||
*[[Utopian Plagiarism, Hypertextuality, and Electronic Cultural Production]] | *[[Utopian Plagiarism, Hypertextuality, and Electronic Cultural Production]] | ||
| Riga 60: | Riga 60: | ||
| − | [[Depocas Alain]] | + | ==[[Depocas Alain]]== |
*[[Digital Preservation: Recording the Recoding. The Documentary Strategy]] | *[[Digital Preservation: Recording the Recoding. The Documentary Strategy]] | ||
| − | [[Dieter Daniels]] | + | ==[[Dieter Daniels]]== |
*[[Strategies of Interactivity]] | *[[Strategies of Interactivity]] | ||
| − | [[Garcia David]], [[Lovink Geert]] | + | ==[[Garcia David]], [[Lovink Geert]]== |
*[[The ABC of Tactical Media (1997)]] | *[[The ABC of Tactical Media (1997)]] | ||
*[[DEF of Tactical Media (1999)]] | *[[DEF of Tactical Media (1999)]] | ||
| − | [[Gere Charlie]] | + | ==[[Gere Charlie]]== |
*[[Utopia, the Avant-Garde, and the Telegraph]] | *[[Utopia, the Avant-Garde, and the Telegraph]] | ||
| − | [[Gidney Eric]] | + | ==[[Gidney Eric]]== |
*[[Art and telecommunications – 10 years on]] | *[[Art and telecommunications – 10 years on]] | ||
| − | [[Greene Rachel]] | + | ==[[Greene Rachel]]== |
*[[Web Work: A history of internet art]] | *[[Web Work: A history of internet art]] | ||
| − | [[Inke Arns]] | + | ==[[Inke Arns]]== |
*[[Interaction, Participation, Networking. Art and telecommunication]] | *[[Interaction, Participation, Networking. Art and telecommunication]] | ||
| − | [[Kac Eduardo]] | + | ==[[Kac Eduardo]]== |
*[[Aspects of the aesthetics of telecommunications]] | *[[Aspects of the aesthetics of telecommunications]] | ||
| − | [[Kluitenberg Eric]] | + | ==[[Kluitenberg Eric]]== |
*[[Transfiguration of the Avant-Garde / The Negative Dialectics of the Net]] | *[[Transfiguration of the Avant-Garde / The Negative Dialectics of the Net]] | ||
| − | [[Lunenfeld Peter]] | + | ==[[Lunenfeld Peter]]== |
*[[In Search of the Telephone Opera]] | *[[In Search of the Telephone Opera]] | ||
*Manovich Lev | *Manovich Lev | ||
| Riga 103: | Riga 103: | ||
| − | [[Neural]] (Ludovico Alessandro) | + | ==[[Neural]]== (Ludovico Alessandro) |
| − | [[Shanken Edward | Shanken Edward A.]] | + | ==[[Shanken Edward | Shanken Edward A.]]== |
*[[Telematic Embrace: A Love Story? Roy Ascott's Theories of Telematic Art]] | *[[Telematic Embrace: A Love Story? Roy Ascott's Theories of Telematic Art]] | ||
| − | [[Strano network]] | + | ==[[Strano network]]== |
| − | [[Syndicate]] (Broeckmann Andreas, Arns Inke) | + | ==[[Syndicate]]== (Broeckmann Andreas, Arns Inke) |
*[[A Translocal Formation. V2_East, the Syndicate, Deep Europe]] | *[[A Translocal Formation. V2_East, the Syndicate, Deep Europe]] | ||
| − | [[Tribe Mark]] | + | ==[[Tribe Mark]]== |
*[[Archiving net.art]] | *[[Archiving net.art]] | ||
| − | [[V2|V2_Organisatie]] (Alex Adriaansens) | + | ==[[V2|V2_Organisatie]]== (Alex Adriaansens) |
*[[Digital Territories]] | *[[Digital Territories]] | ||
| − | [[Van der Cruijsen Walter]] | + | ==[[Van der Cruijsen Walter]]== |
*[[On net.art]] | *[[On net.art]] | ||
*[[Artists Networks]] | *[[Artists Networks]] | ||
| Riga 131: | Riga 131: | ||
| − | [[Welch Chuck]] | + | ==[[Welch Chuck]]== |
*[[Telnetlinks. Art Com. November 1991. Volume 11 Number 10]] | *[[Telnetlinks. Art Com. November 1991. Volume 11 Number 10]] | ||
| − | '''Capitolo 3''' | + | =='''Capitolo 3'''== |
| − | + | ||
''Schede soggetti dell’arte delle reti:'' | ''Schede soggetti dell’arte delle reti:'' | ||
| Riga 142: | Riga 141: | ||
| − | '''Capitolo 4''' | + | =='''Capitolo 4'''== |
''Istituzioni dell’arte delle reti | ''Istituzioni dell’arte delle reti | ||
| Riga 150: | Riga 149: | ||
| − | '''Bibliografia''' | + | =='''Bibliografia'''== |
Revisione 04:19, 30 Gen 2006
Le arti delle reti
Storie e caratteristiche
a cura di Tommaso Tozzi
Introduzione
Capitolo 1
Storie e caratteristiche delle arti delle reti
Capitolo 2
Testi sull’arte delle reti:
Contents
- 1 Adrian Robert
- 2 Ascott Roy
- 3 Berry Josephine
- 4 Broeckmann Andreas
- 5 Couey Anna
- 6 Cramer Florian
- 7 Critical Art Ensemble
- 8 Depocas Alain
- 9 Dieter Daniels
- 10 Garcia David, Lovink Geert
- 11 Gere Charlie
- 12 Gidney Eric
- 13 Greene Rachel
- 14 Inke Arns
- 15 Kac Eduardo
- 16 Kluitenberg Eric
- 17 Lunenfeld Peter
- 18 Shanken Edward A.
- 19 Strano network
- 20 Tribe Mark
- 21 Van der Cruijsen Walter
- 22 Welch Chuck
- 23 Capitolo 3
- 24 Capitolo 4
- 25 Bibliografia
Adrian Robert
Ascott Roy
Berry Josephine
Broeckmann Andreas
- Net. Art, Macchine e Parassiti
- Art in the electronic networks
- Are you Online? Presence and Participation in Network Art
Couey Anna
Cramer Florian
- Software Art (Florian Cramer e Ulrike Gabriel)
- Free software as collaborative text
- Re: Tilman-RFC #1: net art history 1993 – 1996
- Concepts, Notations, Software, Art
- Language, a Virus?
Critical Art Ensemble
- Electronic Civil Disobedience, Simulation, and the Public Sphere (di Steven Kurtz)
- Utopian Plagiarism, Hypertextuality, and Electronic Cultural Production
- Interview with critical art ensemble (by J. Bosma)
Depocas Alain
Dieter Daniels
Garcia David, Lovink Geert
Gere Charlie
Gidney Eric
Greene Rachel
Inke Arns
Kac Eduardo
Kluitenberg Eric
Lunenfeld Peter
- In Search of the Telephone Opera
- Manovich Lev
- I Nuovi Media da Borges all’html
==Neural== (Ludovico Alessandro)
Shanken Edward A.
Strano network
==Syndicate== (Broeckmann Andreas, Arns Inke)
Tribe Mark
==V2_Organisatie== (Alex Adriaansens)
Van der Cruijsen Walter
Welch Chuck
Capitolo 3
Schede soggetti dell’arte delle reti:
01.org, Adaweb, Adilkno, Adrian Robert, AHA, Amerika Mark, Arns Inke, ®™Ark, Ascott Roy, Bartlett Bill, Baumgärtel tilman, Berry Josephine, Bookchin Natalie, Bosma Josephine, Broeckmann Andreas, Bunting Heath, Bureau of Inverse Technology, Chaos Computer Club, Cohen Jonah Brucker, Cosic Vuk, Couey Anna, CRAIAT (Luca Toschi), Cramer Florian, Critical Art Ensemble, Davis Douglas, De Kerckhove Derrick, Decoder, Depocas Alain, Dieter Daniels, Dietz Steve, Druckrey Timothy, E.A.T. (Experiments in Art and Technology), Electronic Disturbance Theatre, EpidemiC, Etoy, Forest Fred, Frank K., Fuller Matthew, Gabor Denis, Galloway Alex, Galloway Kit, Gidney Eric, Greene Rachel, Grundmann Heidi, I/O/D, Hakim Bey, Indymedia, Irational.org, Isole nella Rete, Jaromil, Jeremijenko Natalie, Jodi (aka Heemskerk Joan e Paesmans Dirk), Ippolito J., Kac Eduardo, Kluitenberg Eric, Kluver Billy, Kurtz Steven, Lévy Pierre, Lialina Olia, Lovink Geert, Lunenfeld Peter, Luther Blisset,, Malloy Judy, Manovich Lev, Marshall Stephen (Guerrilla News Network’s), Mc Carty Diana, Mikro, Mongrel, Muntadas Antoni, Napier Mark, Nettime, Neural, Nezvanova Netochka, Noema (Pierluigi Capucci), Rabinowitz Sherrie, Radical Software Group, Randall Packer, Popper Frank, Rekombinant, Riemens Patrice, Shanken Edward A., Schultz Pit, Shulgin Alexei, Sollfrank Cornelia, Strano Network, Surveillance Camera Players, Syndicate, The Ascii Art Ensemble, The Thing, Tisma Andrej, Tozzi Tommaso, Tribe Mark, V2, Van der Cruijsen Walter, Velena Helena, Verde Giacomo, Vesna Victoria, VNS Matrix, Ward Adrian, Weibel Peter, Weil Benjamin, Welch Chuck, White Norman, Wisniewski Maciej, Yes Men
Capitolo 4
Istituzioni dell’arte delle reti (Festival, mostre, centri culturali, ecc.):
Ars Electronica (Linz, Austria), DEAF (The Dutch Electronic Art Festival), De Waag (Amsterdam, Olanda), Intercomunication Center (Tokyo, Giappone), ISEA (Inter-Society for the Electronic Art, Olanda), New Media Institute (Francoforte, Germania), SFMoma (San Francisco Museum of Modern Art, USA), V2 Organisation, Institute for the Unstable Media (Rotterdam, Olanda), Walker Art Center (USA), Whitney Museum (New York, USA), ZKM (Karlsruhe, Germania), (Toronto)
