Le arti delle reti: differenze tra le versioni

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Riga 19: Riga 19:
  
 
Adrian Robert
 
Adrian Robert
o Art and Telecommunication,
+
*Art and Telecommunication,
 
1979-1986: The Pioneer Years
 
1979-1986: The Pioneer Years
 +
  
 
Ascott Roy
 
Ascott Roy
Is There Love in the Telematic Embrace?
+
*Is There Love in the Telematic Embrace?
 +
 
  
 
Berry Josephine
 
Berry Josephine
o Tactical Art in Virtual Space 1
+
*Tactical Art in Virtual Space 1
o Tactical Art in Virtual Space 2
+
*Tactical Art in Virtual Space 2
 +
 
  
 
Broeckmann Andreas
 
Broeckmann Andreas
o Net. Art, Macchine e Parassiti
+
*Net. Art, Macchine e Parassiti
o Art in the electronic networks
+
*Art in the electronic networks
o Are you Online? Presence and Participation in Network Art
+
*Are you Online? Presence and Participation in Network Art
 +
 
  
 
Couey Anna
 
Couey Anna
o Cyber Art: The Art of Communication Systems
+
*Cyber Art: The Art of Communication Systems
o Art Works as Organic Communication Systems
+
*Art Works as Organic Communication Systems
 +
 
  
 
Cramer Florian
 
Cramer Florian
o Software Art (Florian Cramer e Ulrike Gabriel)
+
*Software Art (Florian Cramer e Ulrike Gabriel)
o Free software as collaborative text
+
*Free software as collaborative text
o Re: Tilman-RFC #1: net art history 1993 – 1996
+
*Re: Tilman-RFC #1: net art history 1993 – 1996
o Concepts, Notations, Software, Art
+
*Concepts, Notations, Software, Art
o Language, a Virus?
+
*Language, a Virus?
 +
 
  
 
Critical Art Ensemble
 
Critical Art Ensemble
o Electronic Civil Disobedience, Simulation, and the Public Sphere (di Steven Kurtz)
+
*Electronic Civil Disobedience, Simulation, and the Public Sphere (di Steven Kurtz)
o Utopian Plagiarism, Hypertextuality, and Electronic Cultural Production
+
*Utopian Plagiarism, Hypertextuality, and Electronic Cultural Production
o interview with critical art ensemble (by J. Bosma)
+
*Interview with critical art ensemble (by J. Bosma)
 +
 
  
 
Depocas Alain
 
Depocas Alain
o Digital Preservation: Recording the Recoding. The Documentary Strategy
+
*Digital Preservation: Recording the Recoding. The Documentary Strategy
 +
 
  
 
Dieter Daniels
 
Dieter Daniels
o Strategies of Interactivity
+
*Strategies of Interactivity
 +
 
  
 
Garcia David, Lovink Geert
 
Garcia David, Lovink Geert
 +
  
 
Gere Charlie
 
Gere Charlie
o Utopia, the Avant-Garde, and the Telegraph
+
*Utopia, the Avant-Garde, and the Telegraph
 +
 
  
 
Gidney Eric
 
Gidney Eric
o Art and telecommunications – 10 years on
+
*Art and telecommunications – 10 years on
 +
 
  
 
Greene Rachel
 
Greene Rachel
Web Work: A history of internet art
+
*Web Work: A history of internet art
 +
 
  
 
Inke Arns
 
Inke Arns
o Interaction, Participation, Networking. Art and telecommunication
+
*Interaction, Participation, Networking. Art and telecommunication
 +
 
 
 
 
Kac Eduardo
 
Kac Eduardo
Aspects of the aesthetics of telecommunications
+
*Aspects of the aesthetics of telecommunications
 +
 
  
 
Kluitenberg Eric
 
Kluitenberg Eric
Transfiguration of the Avant-Garde / The Negative Dialectics of the Net
+
*Transfiguration of the Avant-Garde / The Negative Dialectics of the Net
 +
 
  
 
Lunenfeld Peter
 
Lunenfeld Peter
In Search of the Telephone Opera
+
*In Search of the Telephone Opera
Manovich Lev
+
*Manovich Lev
I Nuovi Media da Borges all’html
+
I Nuovi Media da Borges all’html
  
 
Neural (Ludovico Alessandro)
 
Neural (Ludovico Alessandro)

Revisione 23:05, 21 Gen 2005

Le arti delle reti Storie e caratteristiche

a cura di Tommaso Tozzi


Introduzione


Capitolo 1

Storie e caratteristiche delle arti delle reti


Capitolo 2

Testi sull’arte delle reti:

Adrian Robert

  • Art and Telecommunication,

1979-1986: The Pioneer Years


Ascott Roy

  • Is There Love in the Telematic Embrace?


Berry Josephine

  • Tactical Art in Virtual Space 1
  • Tactical Art in Virtual Space 2


Broeckmann Andreas

  • Net. Art, Macchine e Parassiti
  • Art in the electronic networks
  • Are you Online? Presence and Participation in Network Art


Couey Anna

  • Cyber Art: The Art of Communication Systems
  • Art Works as Organic Communication Systems


Cramer Florian

  • Software Art (Florian Cramer e Ulrike Gabriel)
  • Free software as collaborative text
  • Re: Tilman-RFC #1: net art history 1993 – 1996
  • Concepts, Notations, Software, Art
  • Language, a Virus?


Critical Art Ensemble

  • Electronic Civil Disobedience, Simulation, and the Public Sphere (di Steven Kurtz)
  • Utopian Plagiarism, Hypertextuality, and Electronic Cultural Production
  • Interview with critical art ensemble (by J. Bosma)


Depocas Alain

  • Digital Preservation: Recording the Recoding. The Documentary Strategy


Dieter Daniels

  • Strategies of Interactivity


Garcia David, Lovink Geert


Gere Charlie

  • Utopia, the Avant-Garde, and the Telegraph


Gidney Eric

  • Art and telecommunications – 10 years on


Greene Rachel

  • Web Work: A history of internet art


Inke Arns

  • Interaction, Participation, Networking. Art and telecommunication


Kac Eduardo

  • Aspects of the aesthetics of telecommunications


Kluitenberg Eric

  • Transfiguration of the Avant-Garde / The Negative Dialectics of the Net


Lunenfeld Peter

  • In Search of the Telephone Opera
  • Manovich Lev

I Nuovi Media da Borges all’html

Neural (Ludovico Alessandro) • ???

Shanken Edward A. • Telematic Embrace: A Love Story? Roy Ascott's Theories of Telematic Art

Strano Network • ???

Syndicate (Broeckmann Andreas, Arns Inke) • A Translocal Formation. V2_East, the Syndicate, Deep Europe

Tribe Mark • Archiving net.art

V2_Organisatie (Alex Adriaansens) • Digital territories

Van der Cruijsen Walter o On net.art o Artists Networks o The Temporary Museum concept

Welch Chuck • Telnetlinks. Art Com. November 1991. Volume 11 Number 10


Capitolo 3

Schede soggetti dell’arte delle reti:

01.org, Adaweb, Adilkno, Adrian Robert, AHA, Amerika Mark, Arns Inke, ®™Ark, Ascott Roy, Bartlett Bill, Baumgärtel tilman, Berry Josephine, Bookchin Natalie, Bosma Josephine, Broeckmann Andreas, Bunting Heath, Bureau of Inverse Technology, Chaos Computer Club, Cohen Jonah Brucker, Cosic Vuk, Couey Anna, CRAIAT (Luca Toschi), Cramer Florian, Critical Art Ensemble, Davis Douglas, De Kerckhove Derrick, Decoder, Depocas Alain, Dieter Daniels, Dietz Steve, Druckrey Timothy, E.A.T. (Experiments in Art and Technology), Electronic Disturbance Theatre, EpidemiC, Etoy, Forest Fred, Frank K., Fuller Matthew, Gabor Denis, Galloway Alex, Galloway Kit, Gidney Eric, Greene Rachel, Grundmann Heidi, I/O/D, Hakim Bey, Indymedia, Irational.org, Isole nella Rete, Jaromil, Jeremijenko Natalie, Jodi (aka Heemskerk Joan e Paesmans Dirk), Ippolito J., Kac Eduardo, Kluitenberg Eric, Kluver Billy, Kurtz Steven, Lévy Pierre, Lialina Olia, Lovink Geert, Lunenfeld Peter, Luther Blisset,, Malloy Judy, Manovich Lev, Marshall Stephen (Guerrilla News Network’s), Mc Carty Diana, Mikro, Mongrel, Muntadas Antoni, Napier Mark, Nettime, Neural, Nezvanova Netochka, Noema (Pierluigi Capucci), Rabinowitz Sherrie, Radical Software Group, Randall Packer, Popper Frank, Rekombinant, Riemens Patrice, Shanken Edward A., Schultz Pit, Shulgin Alexei, Sollfrank Cornelia, Strano Network, Surveillance Camera Players, Syndicate, The Ascii Art Ensemble, The Thing, Tisma Andrej, Tozzi Tommaso, Tribe Mark, V2, Van der Cruijsen Walter, Velena Helena, Verde Giacomo, Vesna Victoria, VNS Matrix, Ward Adrian, Weibel Peter, Weil Benjamin, Welch Chuck, White Norman, Wisniewski Maciej, Yes Men


Capitolo 4

Istituzioni dell’arte delle reti (Festival, mostre, centri culturali, ecc.):

Ars Electronica (Linz, Austria), DEAF (The Dutch Electronic Art Festival), De Waag (Amsterdam, Olanda), Intercomunication Center (Tokyo, Giappone), ISEA (Inter-Society for the Electronic Art, Olanda), New Media Institute (Francoforte, Germania), SFMoma (San Francisco Museum of Modern Art, USA), V2 Organisation, Institute for the Unstable Media (Rotterdam, Olanda), Walker Art Center (USA), Whitney Museum (New York, USA), ZKM (Karlsruhe, Germania), ??? (Toronto), [da completare]

Bibliografia