Le arti delle reti: differenze tra le versioni

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Riga 71: Riga 71:
  
 
[[Garcia David]], [[Lovink Geert]]
 
[[Garcia David]], [[Lovink Geert]]
*[[The ABC of Tactical Media (1997)]]
+
*[[The ABC of Tactical Media]]
 
*[[DEF of Tactical Media (1999)]]
 
*[[DEF of Tactical Media (1999)]]
  

Revisione 18:48, 7 Lug 2009

Le arti delle reti

Storie e caratteristiche


a cura di Tommaso Tozzi


Introduzione


Capitolo 1

Storie e caratteristiche delle arti delle reti


Capitolo 2

Testi sull’arte delle reti:

Adrian Robert


Arns Inke


Ascott Roy


Berry Josephine


Broeckmann Andreas


Couey Anna


Cramer Florian


Critical Art Ensemble


Depocas Alain


Dieter Daniels


Garcia David, Lovink Geert


Gere Charlie


Gidney Eric


Greene Rachel


Kac Eduardo


Kluitenberg Eric


Lunenfeld Peter


Neural (Ludovico Alessandro)


Shanken Edward A.


Strano network


Syndicate (Broeckmann Andreas, Arns Inke)


Tribe Mark


V2_Organisatie (Adriaansens Alex)


Van der Cruijsen Walter


Welch Chuck


Capitolo 3 Schede soggetti dell’arte delle reti:

0100101110101101.org, Ada Web, Adilkno, Adrian Robert, AHA, Amerika Mark, Arns Inke, ®™ARK, Ascott Roy, Bartlett Bill, Baumgärtel tilman, Berry Josephine, Bookchin Natalie, Bosma Josephine, Broeckmann Andreas, Heath Bunting, Bureau of Inverse Technology, Chaos Computer Club, Cohen Jonah Brucker, Cosic Vuk, Couey Anna, CRAIAT (Luca Toschi), Cramer Florian, Critical Art Ensemble, Davis Douglas, De Kerckhove Derrick, Decoder, Depocas Alain, Dieter Daniels, Dietz Steve, Druckrey Timothy, E.A.T. (Experiments in Art and Technology), Electronic Disturbance Theatre, EpidemiC, Etoy, Forest Fred, Frank Keith, Fuller Matthew, Gabor Denis, Galloway Alex, Galloway Kit, Gidney Eric, Greene Rachel, Grundmann Heidi, I/O/D, Hakim Bey, Indymedia, Irational.org, Isole nella Rete, Jaromil Denis Roio, Jeremijenko Natalie, Jodi (aka Heemskerk Joan e Paesmans Dirk)]], Ippolito Jon, Kac Eduardo, Kluitenberg Eric, Kluver Billy, Kurtz Steven, Lévy Pierre, Lialina Olia, Lovink Geert, Lunenfeld Peter, Luther Blissett,, Malloy Judy, Manovich Lev, Marshall Stephen (Guerrilla News Network’s), McCarty Diana, Mikro, Mongrel, Muntadas Antoni, Napier Mark, Nettime, Neural, Nezvanova Netochka, Noema (Pierluigi Capucci), Rabinowitz Sherrie, Radical software group, Randall Packer, Popper Frank, Rekombinant, Riemens Patrice, Shanken Edward A., Schultz Pit, Shulgin Alexei, Sollfrank Cornelia, Strano network, Surveillance camera players, Syndicate, The Ascii Art Ensemble, The Thing, Tisma Andrej, Tozzi Tommaso, Tribe Mark, V2, Van der Cruijsen Walter, Velena Helena, Verde Giacomo, Vesna Victoria, Vns Matrix, Ward Adrian, Weibel Peter, Weil Benjamin, Welch Chuck, White Norman, Wisniewski Maciej, Yes men


Capitolo 4

Istituzioni dell’arte delle reti (Festival, mostre, centri culturali, ecc.):

Ars Electronica (Linz, Austria), DEAF (The Dutch Electronic Art Festival), De Waag (Amsterdam, Olanda), Intercomunication Center (Tokyo, Giappone), ISEA (Inter-Society for the Electronic Art, Olanda), New Media Institute (Francoforte, Germania), SFMoma (San Francisco Museum of Modern Art, USA), V2 Organisation, Institute for the Unstable Media (Rotterdam, Olanda), Walker Art Center (USA), Whitney Museum (New York, USA), ZKM (Karlsruhe, Germania), (Toronto)


Bibliografia





NOTA: "Le arti delle Reti" è il progetto di un libro in attesa di pubblicazione