https://www.edueda.net/index.php?title=Ogino_Knauss_-_EN&feed=atom&action=historyOgino Knauss - EN - Cronologia2024-03-28T20:35:42ZCronologia della pagina su questo sitoMediaWiki 1.26.0https://www.edueda.net/index.php?title=Ogino_Knauss_-_EN&diff=68747&oldid=prevCristina il 11:01, 15 Dic 20122012-12-15T11:01:50Z<p></p>
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<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>==Object (category) from Thesaurus Pico:==</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>==Object (category) from Thesaurus Pico <ins class="diffchange diffchange-inline">[http://www.culturaitalia.it/opencms/export/sites/culturaitalia/attachments/thesaurus/4.3/thesaurus_4.3.0.skos.xml Cultura Italia]</ins>:==</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[http://culturaitalia.it/pico/thesaurus/4.1#artisti Artisti]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[http://culturaitalia.it/pico/thesaurus/4.1#artisti Artisti]</div></td></tr>
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</table>Cristinahttps://www.edueda.net/index.php?title=Ogino_Knauss_-_EN&diff=67912&oldid=prevCristina il 17:07, 3 Dic 20122012-12-03T17:07:03Z<p></p>
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<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''<del class="diffchange diffchange-inline">OginoKnauss</del>''' is an Italian video-activist collective that documents and narrates the transformation of urban spaces. It was born as a mutant cinema laboratory aimed attaking cinematographic production to the dimension of performance. Since 2006 it works in Berlin.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'''<ins class="diffchange diffchange-inline">Ogino Knauss</ins>''' is an Italian video-activist collective that documents and narrates the transformation of urban spaces. It was born as a mutant cinema laboratory aimed attaking cinematographic production to the dimension of performance. Since 2006 it works in Berlin.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[Immagine:tondo-doble-forza.jpg|right|frame|Doble Forza. Video artwork of Ogino Knauss]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[Immagine:tondo-doble-forza.jpg|right|frame|Doble Forza. Video artwork of Ogino Knauss]]</div></td></tr>
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</table>Cristinahttps://www.edueda.net/index.php?title=Ogino_Knauss_-_EN&diff=67337&oldid=prevCristina il 14:09, 27 Nov 20122012-11-27T14:09:03Z<p></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Biography:== </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Biography:== </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Ogino Knauss is an independent group of video makers active since 1995. [[Tripodi Lorenzo | Lorenzo Tripodi]] and [[Conti Manuela | Manuela Conti]] set it up in Florence and since then it deals with the study of urban space’s transformation, employing a research method based on audiovisual languages.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Ogino Knauss is an independent group of video makers active since 1995. [[Tripodi Lorenzo | Lorenzo Tripodi]] and [[Conti Manuela | Manuela Conti]] set it up in Florence and since then it deals with the study of urban space’s transformation, employing a research method based on audiovisual languages. The issues and conflicts of the city are linked to the processes of image production.  </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The issues and conflicts of the city are linked to the processes of image production. Since 2008 the group lives in Berlin and produces short movies, vj sets, documentaries and installations, experimenting the most innovative communication practices.  </div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Since 2008 the group lives in Berlin and produces short movies, vj sets, documentaries and installations, experimenting the most innovative communication practices.  </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>In recent projects the collective focused its attention on the changes that Globalization caused in urban and suburban environments. Urban explorations have taken place in Florence, Riccione, Berlin, New York, Rome, Milan, Amsterdam, Thessaloniki, La Habana and have inspired performances and installations.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>In recent projects the collective focused its attention on the changes that Globalization caused in urban and suburban environments. Urban explorations have taken place in Florence, Riccione, Berlin, New York, Rome, Milan, Amsterdam, Thessaloniki, La Habana and have inspired performances and installations.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>The videos realized in those cities have been collected in the anthology project ''[[Triplicity]]'', published by AVrec as interactive book + DVD by [http://www.avrec.org/ AVrec].  </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>The videos realized in those cities have been collected in the anthology project ''[[Triplicity]]'', published by AVrec as interactive book + DVD by [http://www.avrec.org/ AVrec].  </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>OginoKnauss’s members are constantly looking for new creative and non-conventional spaces to confront, such as cultural centers, public spaces, temporary occupied zones, art galleries, festivals, dance floors.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>OginoKnauss’s members are constantly looking for new creative and non-conventional spaces to confront, such as cultural centers, public spaces, temporary occupied zones, art galleries, festivals, dance floors.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Among many others, they have collaborated or played live sessions with: Autechre, Autobam, Vladislav Delay, DJ Ultracore, Masami Akita e ZbigniewKarkowski, [[Otolab]], OTK, Rich Medina, Terre Thaemlitz.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Among many others, they have collaborated or played live sessions with: Autechre, Autobam, Vladislav Delay, DJ Ultracore, Masami Akita e ZbigniewKarkowski, [[Otolab]], OTK, Rich Medina, Terre Thaemlitz.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Together with its experimental research, Ogino Knauss carries on also a filing work on the actions, movements and conflicts of the urban world. It collaborates with [[Network Internazionale per la Ricerca Urbana e l'Azione]], Dipartimento di Urbanistica e Pianificazione Territoriale dell'Università di Firenze, the [[Fondazione Giovanni Michelucci]], the Workshop [[ Cartografia Resistente | Workshop Cartografia Resistente]].</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Together with its experimental research, Ogino Knauss carries on also a filing work on the actions, movements and conflicts of the urban world. It collaborates with [[Network Internazionale per la Ricerca Urbana e l'Azione]], Dipartimento di Urbanistica e Pianificazione Territoriale dell'Università di Firenze, the [[Fondazione Giovanni Michelucci]], the Workshop [[ Cartografia Resistente | Workshop Cartografia Resistente]].</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l24" >Riga 24:</td>
<td colspan="2" class="diff-lineno">Riga 28:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>http://www.oginoknauss.org</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>http://www.oginoknauss.org</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Poetic:==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Poetic:==</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Ogino Knauss was born as a "mutant cinema" laboratory with the objective of conferring a performance dimension to visual projects. The group’s production extends between new media and psycho-choreographies, exploring contemporary practices of living metropolitan spaces through new languages and tools of communication. Its purpose consists in describing the city’s ''cultural processes'', that is, phenomena of appropriation of public spaces and collective participation to the transformation of the urban blight.  </div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Ogino Knauss was born as a "mutant cinema" laboratory with the objective of conferring a performance dimension to visual projects. The group’s production extends between new media and psycho-choreographies, exploring contemporary practices of living metropolitan spaces through new languages and tools of communication.  </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Its purpose consists in describing the city’s ''cultural processes'', that is, phenomena of appropriation of public spaces and collective participation to the transformation of the urban blight.  </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>«The construction of the city, at least with reference to western contemporary urban contexts, is not only about building sites, excavators and architectural projects. It is a process that affects the meaning we attach to physical space, the uses, the access rights andthe regulation of traffic and information flows in a morphologic context that is largely determined. The way in which citizens perceive and influence the environment where they live and how new global and transnational determiners re-define the concept of citizenship are still open and important questions”. <ref>Lorenzo Tripodi, ''Nuove Narrative Urbane. Le televisioni di strada contro il mediascape globale.'' in Paba G., Perrone C., (eds.) ''Cittadinanza attiva. Il convolgimento degli abitanti nella costruzione sociale della città''. Firenze, Alinea, 2004.</ref></div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>«The construction of the city, at least with reference to western contemporary urban contexts, is not only about building sites, excavators and architectural projects. It is a process that affects the meaning we attach to physical space, the uses, the access rights andthe regulation of traffic and information flows in a morphologic context that is largely determined. The way in which citizens perceive and influence the environment where they live and how new global and transnational determiners re-define the concept of citizenship are still open and important questions”. <ref>Lorenzo Tripodi, ''Nuove Narrative Urbane. Le televisioni di strada contro il mediascape globale.'' in Paba G., Perrone C., (eds.) ''Cittadinanza attiva. Il convolgimento degli abitanti nella costruzione sociale della città''. Firenze, Alinea, 2004.</ref></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div> Incomplete urbanization is one of the faces of modern cities and is often pointed out in the works of the collective. In ''[[Doble Forza]]'', for example, the account of the relation between daily life and public space isset among impersonal huge empty buildings that the population transforms and takes for its own use.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div> Incomplete urbanization is one of the faces of modern cities and is often pointed out in the works of the collective. In ''[[Doble Forza]]'', for example, the account of the relation between daily life and public space isset among impersonal huge empty buildings that the population transforms and takes for its own use.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>The film, recorded in 2006 in Cuba, testifies the pros and cons of the participative construction process. “We had the opportunity to explore an architectonic ideology and a different embodiment of modern urban suburbs, both recurrent themes of our works”.  </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>The film, recorded in 2006 in Cuba, testifies the pros and cons of the participative construction process. “We had the opportunity to explore an architectonic ideology and a different embodiment of modern urban suburbs, both recurrent themes of our works”.  </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The project launched a series of reportages about the conflict between modernist construction ideology and the everyday practices that live and transform cities’ outskirts. Therefore the descriptive process that the collective carries out can be considered as a kind of “urban dermatology”, a careful and objective investigation of the somatic characteristic of the mutant city. Through photographic collages, sound recordings or text and images slides, the Ogino Knauss’s members carry out a broad-spectrum analysis of the territory, capturing its most authentic visual, sound and textual characteristics. In the case of ''[[Triplicity]]'', the anthological project that comprises the collective’s urban explorations, Ogino Knauss realizes at the same time an audio-visual performance and a dynamic cognitive process. ''[[Triplicity]]'' explores global urbanization through the relentless production of human spaces and urban <del class="diffchange diffchange-inline">textuality</del>. Ogino Knauss presents the urban space, not only as a complex multidimensional system made of signs, flows and surfaces, but also as the product of the daily life of its inhabitants and their perceptions and as a representation of metropolitan textuality. ''[[Triplicity]]'' has been showed as a live set also in Florence and Scandicci.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The project launched a series of reportages about the conflict between modernist construction ideology and the everyday practices that live and transform cities’ outskirts. Therefore the descriptive process that the collective carries out can be considered as a kind of “urban dermatology”, a careful and objective investigation of the somatic characteristic of the mutant city. Through photographic collages, sound recordings or text and images slides, the Ogino Knauss’s members carry out a broad-spectrum analysis of the territory, capturing its most authentic visual, sound and textual characteristics.  </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>In the case of ''[[Triplicity]]'', the anthological project that comprises the collective’s urban explorations, Ogino Knauss realizes at the same time an audio-visual performance and a dynamic cognitive process. <ins class="diffchange diffchange-inline">«</ins>''[[Triplicity]]'' explores global urbanization through the relentless production of human spaces and urban <ins class="diffchange diffchange-inline">textuality»</ins>. Ogino Knauss presents the urban space, not only as a complex multidimensional system made of signs, flows and surfaces, but also as the product of the daily life of its inhabitants and their perceptions and as a representation of metropolitan textuality. ''[[Triplicity]]'' has been showed as a live set also in Florence and Scandicci.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Works:==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Works:==</div></td></tr>
</table>Cristinahttps://www.edueda.net/index.php?title=Ogino_Knauss_-_EN&diff=67318&oldid=prevCristina: /* Exhibitions: */2012-11-26T23:52:31Z<p><span dir="auto"><span class="autocomment">Exhibitions:</span></span></p>
<table class='diff diff-contentalign-left'>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">←Older revision</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revisione 23:52, 26 Nov 2012</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l51" >Riga 51:</td>
<td colspan="2" class="diff-lineno">Riga 51:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Exhibitions:==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Exhibitions:==</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline"> </del>* 2008/07 ''Città al muro,'' live performance, Trento (ITA)</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* 2008/07 ''Città al muro,'' live performance, Trento (ITA)</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* 2008/05 ''Re:centering periphery'', Live performance, Berlino, DE</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* 2008/05 ''Re:centering periphery'', Live performance, Berlino, DE</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* 2007/11 Cimatics AV Festival, ''Urban Skin'', live media performance, Brussels, BE</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* 2007/11 Cimatics AV Festival, ''Urban Skin'', live media performance, Brussels, BE</div></td></tr>
</table>Cristinahttps://www.edueda.net/index.php?title=Ogino_Knauss_-_EN&diff=67316&oldid=prevCristina: /* Works: */2012-11-26T23:51:15Z<p><span dir="auto"><span class="autocomment">Works:</span></span></p>
<table class='diff diff-contentalign-left'>
<col class='diff-marker' />
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<td colspan='2' style="background-color: white; color:black; text-align: center;">←Older revision</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revisione 23:51, 26 Nov 2012</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l31" >Riga 31:</td>
<td colspan="2" class="diff-lineno">Riga 31:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Works:==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Works:==</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* [[Triplicity]] (2000/2005) has been presented as a live set in Florence, Rome, Brussels, Venice, Scandicci,La Habana, Parma, Rotterdam and as an installation at the exhibition “Empowerment – Cantiere Italia” in Genua, [http://3plicity.avrec.org/3plicity.html Triplicity] is an anthological project and an audio-visual performance that comprises the urban explorations of the collective. Triplicity has also been presented as a multimedia exhibition at <del class="diffchange diffchange-inline">MuseoLaboratorio </del>di Arte Contemporanea, Rome, January 2006, showing the different outcomes of the project.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* [[Triplicity]] (2000/2005) has been presented as a live set in Florence, Rome, Brussels, Venice, Scandicci, La Habana, Parma, Rotterdam and as an installation at the exhibition “Empowerment – Cantiere Italia” in Genua, [http://3plicity.avrec.org/3plicity.html Triplicity] is an anthological project and an audio-visual performance that comprises the urban explorations of the collective. Triplicity has also been presented as a multimedia exhibition at <ins class="diffchange diffchange-inline">Museo Laboratorio </ins>di Arte Contemporanea, Rome, January 2006, showing the different outcomes of the project.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* [[Eur_extreme_urban_ratio]] (2001) is a live-media set.Eur became a prototype for a cognitive spatial research through digital media and performance.  </div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* [[Eur_extreme_urban_ratio]] (2001) is a live-media set. Eur became a prototype for a cognitive spatial research through digital media and performance.  </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* [[K-frame]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* [[K-frame]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* [[Urban_skin]] (2006/2008) is a documentary developed through photographic valuations and audio recordings. It has been presented as a live media set and as a multimedia exhibition in Venice.  </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* [[Urban_skin]] (2006/2008) is a documentary developed through photographic valuations and audio recordings. It has been presented as a live media set and as a multimedia exhibition in Venice.  </div></td></tr>
</table>Cristinahttps://www.edueda.net/index.php?title=Ogino_Knauss_-_EN&diff=67314&oldid=prevCristina: /* Poetic: */2012-11-26T23:49:33Z<p><span dir="auto"><span class="autocomment">Poetic:</span></span></p>
<table class='diff diff-contentalign-left'>
<col class='diff-marker' />
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<td colspan='2' style="background-color: white; color:black; text-align: center;">←Older revision</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revisione 23:49, 26 Nov 2012</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l24" >Riga 24:</td>
<td colspan="2" class="diff-lineno">Riga 24:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>http://www.oginoknauss.org</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>http://www.oginoknauss.org</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Poetic:==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Poetic:==</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Ogino Knauss was born as a "mutant cinema" laboratory with the objective of conferring a performance dimension to visual projects. The group’s production extends between new media and psycho-choreographies,exploring contemporary practices of living metropolitan spaces through new languages and tools of communication. Its purpose consists in describing the city’s ''cultural processes'', that is, phenomena of appropriation of public spaces and collective participation to the transformation of the urban blight.  </div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Ogino Knauss was born as a "mutant cinema" laboratory with the objective of conferring a performance dimension to visual projects. The group’s production extends between new media and psycho-choreographies, exploring contemporary practices of living metropolitan spaces through new languages and tools of communication. Its purpose consists in describing the city’s ''cultural processes'', that is, phenomena of appropriation of public spaces and collective participation to the transformation of the urban blight.  </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>«The construction of the city, at least with reference to western contemporary urban contexts, is not only about building sites, excavators and architectural projects. It is a process that affects the meaning we attach to physical space, the uses, the access rights andthe regulation <del class="diffchange diffchange-inline">oftraffic </del>and information flows in a <del class="diffchange diffchange-inline">morphologiccontext </del>that is largely determined. The way in which citizens perceive and influence the environment where they live and how new global and transnational determiners re-define the concept of citizenship are still open and important questions”. <ref>Lorenzo Tripodi, ''Nuove Narrative Urbane. Le televisioni di strada contro il mediascape globale.'' in Paba G., Perrone C., (eds.) ''Cittadinanza attiva. Il convolgimento degli abitanti nella costruzione sociale della città''. Firenze, Alinea, 2004.</ref></div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>«The construction of the city, at least with reference to western contemporary urban contexts, is not only about building sites, excavators and architectural projects. It is a process that affects the meaning we attach to physical space, the uses, the access rights andthe regulation <ins class="diffchange diffchange-inline">of traffic </ins>and information flows in a <ins class="diffchange diffchange-inline">morphologic context </ins>that is largely determined. The way in which citizens perceive and influence the environment where they live and how new global and transnational determiners re-define the concept of citizenship are still open and important questions”. <ref>Lorenzo Tripodi, ''Nuove Narrative Urbane. Le televisioni di strada contro il mediascape globale.'' in Paba G., Perrone C., (eds.) ''Cittadinanza attiva. Il convolgimento degli abitanti nella costruzione sociale della città''. Firenze, Alinea, 2004.</ref></div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> Incomplete urbanization is one of the faces of modern cities and is often pointed out in the works of the collective. In ''[[Doble Forza]]'', for example, the account of the relation between daily life and public space isset among impersonal huge empty <del class="diffchange diffchange-inline">buildingsthat </del>the population transforms and takes for its own use.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> Incomplete urbanization is one of the faces of modern cities and is often pointed out in the works of the collective. In ''[[Doble Forza]]'', for example, the account of the relation between daily life and public space isset among impersonal huge empty <ins class="diffchange diffchange-inline">buildings that </ins>the population transforms and takes for its own use.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>The film, recorded in 2006 in Cuba, testifies the pros and cons of the participative construction process. “We had the opportunity to explore an architectonic ideology and a different embodiment of modern urban suburbs, both recurrent themes of our works”.  </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>The film, recorded in 2006 in Cuba, testifies the pros and cons of the participative construction process. “We had the opportunity to explore an architectonic ideology and a different embodiment of modern urban suburbs, both recurrent themes of our works”.  </div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The project launched a series of reportages about the conflict between modernist construction ideology and the everyday practices that live and transform cities’ outskirts. Therefore the descriptive process that the collective carries out can be considered as a kind of “urban dermatology”, a careful and objective investigation of the somatic characteristic of the mutant city. Through photographic collages, sound recordings or text and images slides, the Ogino Knauss’s members carry out a broad-spectrum analysis of the territory, capturing its most authentic visual, sound and textual characteristics. In the case of ''[[Triplicity]]'', the anthological project that comprises the collective’s urban explorations, Ogino Knauss realizes at the same time <del class="diffchange diffchange-inline">anaudio</del>-visual performance and a dynamic cognitive process. ''[[Triplicity]]'' explores global urbanization through the relentless production of human spaces and urban textuality. Ogino Knauss presents the urban space, not only as a complex multidimensional system made of signs, flows and surfaces, but also as the product of the daily life of its inhabitants and their perceptions and as a representation of metropolitan textuality. ''[[Triplicity]]'' has been showed as a live set also in Florence and Scandicci.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The project launched a series of reportages about the conflict between modernist construction ideology and the everyday practices that live and transform cities’ outskirts. Therefore the descriptive process that the collective carries out can be considered as a kind of “urban dermatology”, a careful and objective investigation of the somatic characteristic of the mutant city. Through photographic collages, sound recordings or text and images slides, the Ogino Knauss’s members carry out a broad-spectrum analysis of the territory, capturing its most authentic visual, sound and textual characteristics. In the case of ''[[Triplicity]]'', the anthological project that comprises the collective’s urban explorations, Ogino Knauss realizes at the same time <ins class="diffchange diffchange-inline">an audio</ins>-visual performance and a dynamic cognitive process. ''[[Triplicity]]'' explores global urbanization through the relentless production of human spaces and urban textuality. Ogino Knauss presents the urban space, not only as a complex multidimensional system made of signs, flows and surfaces, but also as the product of the daily life of its inhabitants and their perceptions and as a representation of metropolitan textuality. ''[[Triplicity]]'' has been showed as a live set also in Florence and Scandicci.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Works:==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Works:==</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* [[Triplicity]] (2000/2005) has been presented as a live set in Florence, Rome, Brussels, Venice, Scandicci,La Habana, Parma, Rotterdam and as an installation at the exhibition “Empowerment – Cantiere Italia” in Genua, [http://3plicity.avrec.org/3plicity.html Triplicity] is an anthological project and an audio-visual performance that comprises the urban explorations of the collective. Triplicity has also been presented as a multimedia exhibition at MuseoLaboratorio di Arte Contemporanea, Rome, January 2006, showing the different outcomes of the project.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* [[Triplicity]] (2000/2005) has been presented as a live set in Florence, Rome, Brussels, Venice, Scandicci,La Habana, Parma, Rotterdam and as an installation at the exhibition “Empowerment – Cantiere Italia” in Genua, [http://3plicity.avrec.org/3plicity.html Triplicity] is an anthological project and an audio-visual performance that comprises the urban explorations of the collective. Triplicity has also been presented as a multimedia exhibition at MuseoLaboratorio di Arte Contemporanea, Rome, January 2006, showing the different outcomes of the project.</div></td></tr>
</table>Cristinahttps://www.edueda.net/index.php?title=Ogino_Knauss_-_EN&diff=67311&oldid=prevCristina il 23:44, 26 Nov 20122012-11-26T23:44:58Z<p></p>
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</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l19" >Riga 19:</td>
<td colspan="2" class="diff-lineno">Riga 19:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>OginoKnauss’s members are constantly looking for new creative and non-conventional spaces to confront, such as cultural centers, public spaces, temporary occupied zones, art galleries, festivals, dance floors.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>OginoKnauss’s members are constantly looking for new creative and non-conventional spaces to confront, such as cultural centers, public spaces, temporary occupied zones, art galleries, festivals, dance floors.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Among many others, they have collaborated or played live sessions with: Autechre, Autobam, Vladislav Delay, DJ Ultracore, Masami Akita e ZbigniewKarkowski, [[Otolab]], OTK, Rich Medina, Terre Thaemlitz.</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Among many others, they have collaborated or played live sessions with: Autechre, Autobam, Vladislav Delay, DJ Ultracore, Masami Akita e ZbigniewKarkowski, [[Otolab]], OTK, Rich Medina, Terre Thaemlitz.</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Together with its experimental research, <del class="diffchange diffchange-inline">OginoKnauss </del>carries on also a filing work on the actions, movements and conflicts of the urban world. It collaborates with [[Network Internazionale per la Ricerca Urbana e l'Azione]], Dipartimento di Urbanistica e Pianificazione Territoriale dell'Università di Firenze, the [[Fondazione Giovanni Michelucci]], the Workshop [[ Cartografia Resistente | Workshop Cartografia Resistente]].</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Together with its experimental research, <ins class="diffchange diffchange-inline">Ogino Knauss </ins>carries on also a filing work on the actions, movements and conflicts of the urban world. It collaborates with [[Network Internazionale per la Ricerca Urbana e l'Azione]], Dipartimento di Urbanistica e Pianificazione Territoriale dell'Università di Firenze, the [[Fondazione Giovanni Michelucci]], the Workshop [[ Cartografia Resistente | Workshop Cartografia Resistente]].</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Website:==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Website:==</div></td></tr>
</table>Cristinahttps://www.edueda.net/index.php?title=Ogino_Knauss_-_EN&diff=67065&oldid=prevCristina: /* Bibliography: */2012-11-22T21:31:31Z<p><span dir="auto"><span class="autocomment">Bibliography:</span></span></p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">Revisione 21:31, 22 Nov 2012</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l82" >Riga 82:</td>
<td colspan="2" class="diff-lineno">Riga 82:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Bibliography:==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>==Bibliography:==</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* ''Triplicity'', Firenze, Avrec, 2005 (Book+DVD-rom) </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* ''Equilibratura Elettronica'', Firenze, Avrec, 2005 (DVD)</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">==Webliography:==</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* http://www.luxflux.org/n15/partiture1.htm</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* http://www.luxflux.org/n15/partiture1.htm</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* https://docs.google.com/viewer?a=v&q=cache:QySms26MHjcJ:www.raethiarealestate.it/allegati/moskonstruct_exhibition.pdf+&hl=en&gl=it&pid=bl&srcid=ADGEESjoLDvoO18y7ncZiw6J-ezkjD2YPbRjRvkK2MDNv0hCrop7nq3IHR5K0hIkVySWqJ7mPj2rSuwW2V2rsY8qK_5N51PZpdp1MucOX9jdyWvQKcGSLi422Z2fr8vpf-hqK3XbmJwj&sig=AHIEtbRhgjjfhUNxbGl6DRUGnZjWWP8h1g<del class="diffchange diffchange-inline">. </del>Progetto dedicato alla promozione e al recupero dell’architettura costruttivista a Mosca.  </div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">[</ins>https://docs.google.com/viewer?a=v&q=cache:QySms26MHjcJ:www.raethiarealestate.it/allegati/moskonstruct_exhibition.pdf+&hl=en&gl=it&pid=bl&srcid=ADGEESjoLDvoO18y7ncZiw6J-ezkjD2YPbRjRvkK2MDNv0hCrop7nq3IHR5K0hIkVySWqJ7mPj2rSuwW2V2rsY8qK_5N51PZpdp1MucOX9jdyWvQKcGSLi422Z2fr8vpf-hqK3XbmJwj&sig=AHIEtbRhgjjfhUNxbGl6DRUGnZjWWP8h1g Progetto dedicato alla promozione e al recupero dell’architettura costruttivista a Mosca<ins class="diffchange diffchange-inline">]</ins>.  </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* http://www.bellariafilmfestival.org/dett_film_archivio-2008-23-1.html</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* http://www.bellariafilmfestival.org/dett_film_archivio-2008-23-1.html</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
</table>Cristinahttps://www.edueda.net/index.php?title=Ogino_Knauss_-_EN&diff=67040&oldid=prevCristina il 20:56, 22 Nov 20122012-11-22T20:56:27Z<p></p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">Revisione 20:56, 22 Nov 2012</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l109" >Riga 109:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[categoria:Happening]]</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>[[categoria:Happening]]</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[categoria:EN]]</ins></div></td></tr>
</table>Cristinahttps://www.edueda.net/index.php?title=Ogino_Knauss_-_EN&diff=67034&oldid=prevCristina il 20:52, 22 Nov 20122012-11-22T20:52:45Z<p></p>
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<td colspan='2' style="background-color: white; color:black; text-align: center;">←Older revision</td>
<td colspan='2' style="background-color: white; color:black; text-align: center;">Revisione 20:52, 22 Nov 2012</td>
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<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>     <td><div align="center" class="Stile1">[[Ogino Knauss <del class="diffchange diffchange-inline">- ASC</del>|Versione <del class="diffchange diffchange-inline">Certificata</del>]]</div></td></div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>     <td><div align="center" class="Stile1">[[Ogino Knauss|Versione <ins class="diffchange diffchange-inline">non certificata modificabile</ins>]]</div></td></div></td></tr>
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</table>Cristina