Crowe Nick: differenze tra le versioni
| Riga 3: | Riga 3: | ||
[[Crowe Nick]]== Headline text == | [[Crowe Nick]]== Headline text == | ||
| − | + | '''Crowe Nick''' | |
________________________________________ | ________________________________________ | ||
| Riga 31: | Riga 31: | ||
---- | ---- | ||
| − | ''' | + | '''1 Biografia''' |
| Riga 43: | Riga 43: | ||
| − | + | '''Esposizioni''' | |
| − | + | (*)1992 | |
The Secret Installation of Nicolas Copernicus, Manchester Festival, (with Index) | The Secret Installation of Nicolas Copernicus, Manchester Festival, (with Index) | ||
The Secret Diaries of Nicolas Copernicus, national tour (with Index) | The Secret Diaries of Nicolas Copernicus, national tour (with Index) | ||
Emmanuel Enchanted, Forced Entertainment, national tour. | Emmanuel Enchanted, Forced Entertainment, national tour. | ||
A Brief History of the Mediterranean, Green Room, Manchester | A Brief History of the Mediterranean, Green Room, Manchester | ||
| − | + | (*)1993 | |
66 - 99 (with 33 between), Prema Arts Centre and tour, (with Index) | 66 - 99 (with 33 between), Prema Arts Centre and tour, (with Index) | ||
Observations on Architecture, TVOD, Manchester. | Observations on Architecture, TVOD, Manchester. | ||
My A B C, TVOD, Manchester. | My A B C, TVOD, Manchester. | ||
| − | + | (*)1994 | |
Soft Rock, Institute of Contemporary Art, London, (with Index) | Soft Rock, Institute of Contemporary Art, London, (with Index) | ||
Diverse City, Castlefield Gallery, Manchester, (with Index) | Diverse City, Castlefield Gallery, Manchester, (with Index) | ||
The Alphabet of Dogs, Oliver Machine Works, Manchester, (with Index) | The Alphabet of Dogs, Oliver Machine Works, Manchester, (with Index) | ||
Hidden J, Forced Entertainment, national tour. | Hidden J, Forced Entertainment, national tour. | ||
| − | + | (*)1995 | |
Knowledge is Power, ceramic workm multiple sites, (with Ania Witkowska) | Knowledge is Power, ceramic workm multiple sites, (with Ania Witkowska) | ||
Cornerhouse - ArtHouse, Hacienda, Manchester, (with Index) | Cornerhouse - ArtHouse, Hacienda, Manchester, (with Index) | ||
Soft Rock, Silesian Museum, Katowice, Poland, (with Index) | Soft Rock, Silesian Museum, Katowice, Poland, (with Index) | ||
Ha!,10a Little Peter Street, Manchester, (with Index) | Ha!,10a Little Peter Street, Manchester, (with Index) | ||
| − | + | (*)1997 | |
AbsolutNew, Castlefield Gallery, Manchester | AbsolutNew, Castlefield Gallery, Manchester | ||
Superstore, Cornerhouse Gallery, Manchester & Arnolfini Gallery, Bristol | Superstore, Cornerhouse Gallery, Manchester & Arnolfini Gallery, Bristol | ||
| Riga 77: | Riga 77: | ||
BANK TV, ICA, London; Transmission, Glasgow; Unfair, Berlin; Live/Life, Lisbon. | BANK TV, ICA, London; Transmission, Glasgow; Unfair, Berlin; Live/Life, Lisbon. | ||
Something the Museum Sent Us, artists page, Versus Contemporary Art, Issue 5, (with Index) | Something the Museum Sent Us, artists page, Versus Contemporary Art, Issue 5, (with Index) | ||
| − | + | (*)1998 | |
What Difference Does it Make?, Cambridge Darkroom Gallery | What Difference Does it Make?, Cambridge Darkroom Gallery | ||
20/20, Angel Row, Nottingham | 20/20, Angel Row, Nottingham | ||
Artranspennine98, Manchester (catalogue) (with Ian Rawlinson and Graham Parker) | Artranspennine98, Manchester (catalogue) (with Ian Rawlinson and Graham Parker) | ||
Manchester Academy of Fine Art 139th Open Exhibition (sponsor), Bury Art Gallery | Manchester Academy of Fine Art 139th Open Exhibition (sponsor), Bury Art Gallery | ||
| − | + | (*)1999 | |
Museum Magogo, Glasgow Project Space, Glasgow | Museum Magogo, Glasgow Project Space, Glasgow | ||
MART, Centre for the Understanding of the Built Environment, Manchester (with Ian Rawlinson) | MART, Centre for the Understanding of the Built Environment, Manchester (with Ian Rawlinson) | ||
| Riga 89: | Riga 89: | ||
Life is Good in Manchester, Celeste and Eliot Kunstsalon, Zurich | Life is Good in Manchester, Celeste and Eliot Kunstsalon, Zurich | ||
Innovation and Tradition, Northview Gallery, Portland, Oregon (catalogue) (with Ian Rawlinson) | Innovation and Tradition, Northview Gallery, Portland, Oregon (catalogue) (with Ian Rawlinson) | ||
| − | + | (*)2000 | |
7/5, Leeds Metropolitan University, Leeds (with Ian Rawlinson) | 7/5, Leeds Metropolitan University, Leeds (with Ian Rawlinson) | ||
In Memoriam, New Art Gallery, Walsall (catalogue) | In Memoriam, New Art Gallery, Walsall (catalogue) | ||
| Riga 107: | Riga 107: | ||
’scape, Kiosk Photographers Gallery, Manchester (with Ian Rawlinson) | ’scape, Kiosk Photographers Gallery, Manchester (with Ian Rawlinson) | ||
SpaceCraft, VideoPositive2000, Liverpool | SpaceCraft, VideoPositive2000, Liverpool | ||
| − | + | (*)2001 | |
A Fair Place, Nouvelle Peripheries/Museum of Contemporary Art, Istanbul | A Fair Place, Nouvelle Peripheries/Museum of Contemporary Art, Istanbul | ||
The Digital Aesthetic, Harris Museum & Art Gallery, Preston | The Digital Aesthetic, Harris Museum & Art Gallery, Preston | ||
| Riga 118: | Riga 118: | ||
Nick Crowe & Kenny Hunter, Turnpike Gallery, Wigan | Nick Crowe & Kenny Hunter, Turnpike Gallery, Wigan | ||
Rotterdam International Film Festival, Rotterdam (catalogue) | Rotterdam International Film Festival, Rotterdam (catalogue) | ||
| − | + | (*)2002 | |
Sambond / Connections, Institute of Culture and Fine Art, Hafnarborg, Iceland | Sambond / Connections, Institute of Culture and Fine Art, Hafnarborg, Iceland | ||
Once Again, John Hansard Gallery, Southampton (catalogue) | Once Again, John Hansard Gallery, Southampton (catalogue) | ||
| Riga 129: | Riga 129: | ||
Reactions, Exit Art, New York | Reactions, Exit Art, New York | ||
TAXY, Essor Gallery Project Space, London | TAXY, Essor Gallery Project Space, London | ||
| − | + | (*)2003 | |
Post-It, Floating IP, Manchester | Post-It, Floating IP, Manchester | ||
Blueprint Fakers & Citadel Makers, Comme Ca Art @ Debenhams, Manchester | Blueprint Fakers & Citadel Makers, Comme Ca Art @ Debenhams, Manchester | ||
| Riga 135: | Riga 135: | ||
Manchester Portfolio, London Print Studio, London | Manchester Portfolio, London Print Studio, London | ||
Becks Futures, ICA, London; CCA, Glasgow; Southampton Art Gallery, Southampton (catalogue) | Becks Futures, ICA, London; CCA, Glasgow; Southampton Art Gallery, Southampton (catalogue) | ||
| − | + | (*)2004 | |
FILE-2004, SESI Art Gallery, Sao Paulo (catalogue) | FILE-2004, SESI Art Gallery, Sao Paulo (catalogue) | ||
Romantic Detachment, P.S.1/MoMA, New York;Q Gallery, Metro Cinema & Susumi Derby; Chapter Arts, Cardiff | Romantic Detachment, P.S.1/MoMA, New York;Q Gallery, Metro Cinema & Susumi Derby; Chapter Arts, Cardiff | ||
| Riga 142: | Riga 142: | ||
After Life, Bowes Museum, County Durham (catalogue) | After Life, Bowes Museum, County Durham (catalogue) | ||
Futureways, Middelburg Triennale, De Vleeshal, Middelburg, Netherlands (catalogue) | Futureways, Middelburg Triennale, De Vleeshal, Middelburg, Netherlands (catalogue) | ||
| − | + | (*)2005 | |
Christmas, con’temporary, Berlin | Christmas, con’temporary, Berlin | ||
Do You Like Stuff?, Swiss Institute, New York | Do You Like Stuff?, Swiss Institute, New York | ||
| Riga 153: | Riga 153: | ||
---- | ---- | ||
| − | + | ''esposizioni principali'' | |
| − | + | (*)1994 | |
Train Up a Child in the Way he Should Go, Holden Gallery, Manchester, (with Index) | Train Up a Child in the Way he Should Go, Holden Gallery, Manchester, (with Index) | ||
| − | + | (*)1996 | |
One Day and All of the Night - Internet Project for ArtAIDS, London. | One Day and All of the Night - Internet Project for ArtAIDS, London. | ||
Mugger Music, Manchester International Arts, multiple sites, Manchester (with Jane Gant, Ian Rawlinson and Graham Parker) | Mugger Music, Manchester International Arts, multiple sites, Manchester (with Jane Gant, Ian Rawlinson and Graham Parker) | ||
| − | + | (*)1997 | |
Mugger Music, Lower Manhattan Cultural Council, multiple sites, New York. (with Ian Rawlinson and Graham Parker) | Mugger Music, Lower Manhattan Cultural Council, multiple sites, New York. (with Ian Rawlinson and Graham Parker) | ||
| − | + | (*)1998 | |
The Ten Point Plan for a Better Helsinki, KIASMA, Helsinki (catalogue) | The Ten Point Plan for a Better Helsinki, KIASMA, Helsinki (catalogue) | ||
2 Space Architects, www.theannualprogram.com (with Ian Rawlinson) | 2 Space Architects, www.theannualprogram.com (with Ian Rawlinson) | ||
| − | + | (*)1999 | |
2 Speakers, ICA, London, (with Ian Rawlinson) | 2 Speakers, ICA, London, (with Ian Rawlinson) | ||
The Citizens, pub. Book Works and Artec, | The Citizens, pub. Book Works and Artec, | ||
| − | + | (*)2000 | |
Mobile Home Gallery, www.mobilehomegallery.com | Mobile Home Gallery, www.mobilehomegallery.com | ||
SERVICE2000, multiple sites, World Wide Web. | SERVICE2000, multiple sites, World Wide Web. | ||
| Riga 174: | Riga 174: | ||
Stuff with Glass and Light, Chapter Gallery, Cardiff | Stuff with Glass and Light, Chapter Gallery, Cardiff | ||
The New Medium, Lux Gallery, London | The New Medium, Lux Gallery, London | ||
| − | + | (*)2001 | |
Nasdaq Landscape, Yorkshire Sculpture Park, Wakefield | Nasdaq Landscape, Yorkshire Sculpture Park, Wakefield | ||
Kyoto Protocol, Flux Space, Flux Magazine Aug/Sept (with Ian Rawlinson) | Kyoto Protocol, Flux Space, Flux Magazine Aug/Sept (with Ian Rawlinson) | ||
| − | + | (*)2002 | |
Explaining Urbanism to Wild Animals, Tmesis Gallery, Manchester (with Ian Rawlinson) | Explaining Urbanism to Wild Animals, Tmesis Gallery, Manchester (with Ian Rawlinson) | ||
| − | + | (*)2001 | |
The Fire’s Prayer, FACT Centre, Liverpool (with Ian Rawlinson) | The Fire’s Prayer, FACT Centre, Liverpool (with Ian Rawlinson) | ||
| Riga 186: | Riga 186: | ||
---- | ---- | ||
| − | ''' | + | '''2 Opere''' |
[[Imge:pippo.jpo]] | [[Imge:pippo.jpo]] | ||
| − | + | (*)Operation Telic (2005) | |
Glass engravings of the occupation of Iraq set on self-illuminating shelves. | Glass engravings of the occupation of Iraq set on self-illuminating shelves. | ||
| Riga 198: | Riga 198: | ||
[[Image:pippo.jpo]] | [[Image:pippo.jpo]] | ||
| − | + | (*)Getting On (2003) | |
Installation of seven moblitiy scooters with classical soundtrack. | Installation of seven moblitiy scooters with classical soundtrack. | ||
Commissioned by Chisenhale Gallery, London. | Commissioned by Chisenhale Gallery, London. | ||
| Riga 207: | Riga 207: | ||
[[Image:pippo.jpo]] | [[Image:pippo.jpo]] | ||
| − | + | (*)Police Radio (2003) | |
A web radio station made in collaboration with serving officers from Merseyside Police Force | A web radio station made in collaboration with serving officers from Merseyside Police Force | ||
Comissioned by FACT, Liverpool. | Comissioned by FACT, Liverpool. | ||
| Riga 219: | Riga 219: | ||
Qualsiasi disputa, controversia, querela o richiesta di risarcimento, di qualunque natura, relativa all’accesso di questo sito web e i suoi contenuti con tutte le informazioni pubblicate o diffuse, sarà governata e interpretata conformemente alla legge Inglese e, a questo scopo, si accetta di sottoporsi irrevocabilmente all’ unica giurisdizione del tribunale inglese. | Qualsiasi disputa, controversia, querela o richiesta di risarcimento, di qualunque natura, relativa all’accesso di questo sito web e i suoi contenuti con tutte le informazioni pubblicate o diffuse, sarà governata e interpretata conformemente alla legge Inglese e, a questo scopo, si accetta di sottoporsi irrevocabilmente all’ unica giurisdizione del tribunale inglese. | ||
| − | + | (*)The World Wars (2003) | |
A cyberglobe consisting of 74 web sites showing the world under constant attack. Commissioned by BECKS/ICA for Becks Futures 2003. Requires shockwave. | A cyberglobe consisting of 74 web sites showing the world under constant attack. Commissioned by BECKS/ICA for Becks Futures 2003. Requires shockwave. | ||
Un globo virtuale che consiste di 74 siti web indicanti il mondo sotto constante pericolo di attacco. | Un globo virtuale che consiste di 74 siti web indicanti il mondo sotto constante pericolo di attacco. | ||
| − | + | (*)Historic Link (2002) | |
A found animation with an embedded url. | A found animation with an embedded url. | ||
Un’ animazione trovata con un URL radicato. | Un’ animazione trovata con un URL radicato. | ||
| − | + | (*)Artones ringtones (2002) | |
A collection of screen logo’s and axis-of-evil ringtones. | A collection of screen logo’s and axis-of-evil ringtones. | ||
Una collezione di loghi di schermo e assi di cattive suonerie | Una collezione di loghi di schermo e assi di cattive suonerie | ||
| Riga 233: | Riga 233: | ||
[[Image:pippo.jpo]] | [[Image:pippo.jpo]] | ||
| − | + | (*)Different AVs (2002) | |
Amended software for Palace Chatrooms. | Amended software for Palace Chatrooms. | ||
Commissioned by Channel4 Television & Arts Council of England. | Commissioned by Channel4 Television & Arts Council of England. | ||
| Riga 244: | Riga 244: | ||
| − | + | (*)Mobile Home, London (2000) | |
A web site for a commercial gallery. | A web site for a commercial gallery. | ||
Un sito web per una galleria commerciale. | Un sito web per una galleria commerciale. | ||
| − | + | (*)Architectural Association (2000) | |
A web site. | A web site. | ||
Un sito web | Un sito web | ||
| Riga 255: | Riga 255: | ||
[[Image:pippo.jpo]] | [[Image:pippo.jpo]] | ||
| − | + | (*)SERVICE2000_7/29 (2000) | |
A sample of 7 sites from a not-for-profit cybersquatting project using the names of London galleries. | A sample of 7 sites from a not-for-profit cybersquatting project using the names of London galleries. | ||
Una campionatura di 7 siti tratti da un progetto abusivo di ciber occupazione, che utilizza i nomi di gallerie di Londra. | Una campionatura di 7 siti tratti da un progetto abusivo di ciber occupazione, che utilizza i nomi di gallerie di Londra. | ||
| Riga 264: | Riga 264: | ||
[[Image:pippo.jpo]] | [[Image:pippo.jpo]] | ||
| − | Cynical Objects (2001) | + | (*)Cynical Objects (2001) |
Tree table top sculptures representing the Nasdaq, FTSE and DOW indicies during the year of the dot com crasch. | Tree table top sculptures representing the Nasdaq, FTSE and DOW indicies during the year of the dot com crasch. | ||
Tre grandi sculture su tavolo rappresentanti Nasdaq, FTSE e DOW nell'anno dei crac dei "punti com". | Tre grandi sculture su tavolo rappresentanti Nasdaq, FTSE e DOW nell'anno dei crac dei "punti com". | ||
| − | + | (*)Discrete Packets (2000) | |
An interactive film work about a man who is trying to locate his missing daughter. | An interactive film work about a man who is trying to locate his missing daughter. | ||
Commissioned by DA2, Bristol/London for Video Positive 2000 Un’opera di film interattiva che tratta di un uomo che tenta di trovare sua figlia scomparsa. | Commissioned by DA2, Bristol/London for Video Positive 2000 Un’opera di film interattiva che tratta di un uomo che tenta di trovare sua figlia scomparsa. | ||
| Riga 275: | Riga 275: | ||
| − | + | (*)The New Medium (1999] | |
Fifteen engraved glass sheets from an online memorial site. | Fifteen engraved glass sheets from an online memorial site. | ||
Quindici lastre di vetro incise per un sito commemorativo online. | Quindici lastre di vetro incise per un sito commemorativo online. | ||
| − | + | (*)Y2K -The Relationship between Faith and Technology (1999) | |
A web animation. | A web animation. | ||
Commissioned by The Waiting Rooms. | Commissioned by The Waiting Rooms. | ||
| Riga 286: | Riga 286: | ||
| − | + | (*)The Citizens (1999) | |
A book work of personal homepages. | A book work of personal homepages. | ||
Commissioned by Book Works & ARTEC, London. | Commissioned by Book Works & ARTEC, London. | ||
| Riga 292: | Riga 292: | ||
| − | + | (*)The 10 point plan for a Better Helsinki (1998) | |
A collection of web site designs to advocate for an urban improvement to central Helsinki. Made in KIASMA as part of the MUU media festival. | A collection of web site designs to advocate for an urban improvement to central Helsinki. Made in KIASMA as part of the MUU media festival. | ||
Una collezione di disegni per siti web che promulgano un miglioramento urbano per Helsinki centrale. | Una collezione di disegni per siti web che promulgano un miglioramento urbano per Helsinki centrale. | ||
| − | + | (*)Oneday and All of the Night (1996) | |
A web cam work made for World Aids Day 1996. | A web cam work made for World Aids Day 1996. | ||
Un’opera web cam creato per il giorno mondiale di AIDS 1996. | Un’opera web cam creato per il giorno mondiale di AIDS 1996. | ||
| Riga 306: | Riga 306: | ||
| − | + | '''3 Espozioni recenti''' | |
Le sue recenti esposizioni internazionali comprendono: | Le sue recenti esposizioni internazionali comprendono: | ||
| Riga 316: | Riga 316: | ||
---- | ---- | ||
| − | + | ''' 4 Bibliografia''' | |
| − | + | Articoli e stampa in generale | |
Independent Collaborative Hospitality, Dave Beech VARIANT | Independent Collaborative Hospitality, Dave Beech VARIANT | ||
| − | Volume 2, number 22, Spring 2005 | + | Volume 2, number 22, Spring (*)2005 |
Explaining Urbanism to Wild Animals, Mark Crinson, MUTE | Explaining Urbanism to Wild Animals, Mark Crinson, MUTE | ||
| − | Issue 29, February 2005 | + | Issue 29, February (*)2005 |
Gregor Schneider, Dave Beech, Art Monthly | Gregor Schneider, Dave Beech, Art Monthly | ||
| − | December 2004 | + | December(*)2004 |
Artranspennine03, Neil Mulholland, frieze | Artranspennine03, Neil Mulholland, frieze | ||
| − | Issue 79, November - December 2003 | + | Issue 79, November - December(*)2003 |
Nick Crowe and the Merseyside Police Hitlist, Jessica Lack, The Guardian | Nick Crowe and the Merseyside Police Hitlist, Jessica Lack, The Guardian | ||
| − | 6 October 2003 | + | 6 October (*)2003 |
Nick Crowe, Marcus Verhagen, Art Review | Nick Crowe, Marcus Verhagen, Art Review | ||
| − | September 2003 | + | September (*)2003 |
Insider - Steal fun from old people, Tom Morton, ARENA | Insider - Steal fun from old people, Tom Morton, ARENA | ||
| − | August, 2003 | + | August, (*)2003 |
The Show Must Go On!, Colin, www.preromanbritain.com | The Show Must Go On!, Colin, www.preromanbritain.com | ||
| − | August, 2003 | + | August, (*)2003 |
Nick Crowe, Martin Herbert, Time Out | Nick Crowe, Martin Herbert, Time Out | ||
| − | 9 - 16 July, 2003 | + | 9 - 16 July, (*)2003 |
Crowe’s show takes us for a ride, Ben Deighton, Hackney Gazette | Crowe’s show takes us for a ride, Ben Deighton, Hackney Gazette | ||
| − | 3 July 2003 | + | 3 July (*)2003 |
Nick Crowe and Ian Rawlinson, Paul Bayley, Art and Christian Enquiry | Nick Crowe and Ian Rawlinson, Paul Bayley, Art and Christian Enquiry | ||
| − | Issue 35, July 2003 | + | Issue 35, July (*)2003 |
London, Critics Picks, Rachel Withers, Artforum.com | London, Critics Picks, Rachel Withers, Artforum.com | ||
| − | June 2003 | + | June (*)2003 |
Deuce, Tim Birch, City Life Magazine | Deuce, Tim Birch, City Life Magazine | ||
| − | Issue 486, 21 - 28 May, 2003 | + | Issue 486, 21 - 28 May, (*)2003 |
Duality and Duplicity on Show, Lucy White, Metro North West | Duality and Duplicity on Show, Lucy White, Metro North West | ||
| − | 2 May 2003 | + | 2 May (*)2003 |
Police Radio Project with a Difference, Laura Twemlow, Merseybeat | Police Radio Project with a Difference, Laura Twemlow, Merseybeat | ||
| − | May, 2003 | + | May, (*)2003 |
Tasty dishes stand out in Beck’s menu, Charlotte Mullins, Financial Times | Tasty dishes stand out in Beck’s menu, Charlotte Mullins, Financial Times | ||
| − | 30 April, 2003 | + | 30 April, (*)2003 |
Serious art, or pessimist chic?, JJ Charlesworth, The Daily Telegraph | Serious art, or pessimist chic?, JJ Charlesworth, The Daily Telegraph | ||
| − | 9 April, 2003 | + | 9 April, (*)2003 |
The future’s dim, Adrian Searle, The Guardian | The future’s dim, Adrian Searle, The Guardian | ||
| − | 8 April, 2003 | + | 8 April, (*)2003 |
Invisible Art is the new must-see, Nigel Reynolds, The Daily Telegraph | Invisible Art is the new must-see, Nigel Reynolds, The Daily Telegraph | ||
| − | 2 April 2003 | + | 2 April (*)2003 |
Bedtime for Saatchi, Flachra Gibbons, The Guardian | Bedtime for Saatchi, Flachra Gibbons, The Guardian | ||
| − | 2 April, 2003 | + | 2 April, (*)2003 |
The Ghost in the Machine, Mick Robertson, FLUX Magazine | The Ghost in the Machine, Mick Robertson, FLUX Magazine | ||
| − | February 2003 | + | February (*)2003 |
Certifiable Art, Paul Black, Flash Art | Certifiable Art, Paul Black, Flash Art | ||
| − | October 2002 | + | October (*)2002 |
Private View, Tim Birch, City Life Magazine | Private View, Tim Birch, City Life Magazine | ||
| − | Issue 467, 9 - 24 October 2002 | + | Issue 467, 9 - 24 October (*)2002 |
Swetlana Heger, Nick Crowe, Roland Boden, Sally O Reilly, Time Out | Swetlana Heger, Nick Crowe, Roland Boden, Sally O Reilly, Time Out | ||
| − | 18 -25 September 2002 | + | 18 -25 September (*)2002 |
Ich Bin, Axel Lapp, Art Monthly | Ich Bin, Axel Lapp, Art Monthly | ||
| − | September 2001 | + | September (*)2001 |
From the Web To Eternity, Alex Perez, Business 2.0, | From the Web To Eternity, Alex Perez, Business 2.0, | ||
| − | 6 March 2001 | + | 6 March (*)2001 |
Life is Good in Manchester, Ronnie Simpson, Art Review, | Life is Good in Manchester, Ronnie Simpson, Art Review, | ||
| − | December/January 2001 | + | December/January (*)2001 |
The user takes all, Georg Schoellhammer, Springerin, | The user takes all, Georg Schoellhammer, Springerin, | ||
| − | December/January 2001 | + | December/January (*)2001 |
Go West Young Man, Graham Parker, Art Monthly, | Go West Young Man, Graham Parker, Art Monthly, | ||
| − | December/January 2001 | + | December/January (*)2001 |
Dying is an Art and They Do it Very Well, Charles Darwent, Independent on Sunday, | Dying is an Art and They Do it Very Well, Charles Darwent, Independent on Sunday, | ||
| − | 10 Decermber 2000 | + | 10 Decermber (*)2000 |
Site name taken? No problem - just join the dots, Sutherland Lyall, The Architects Journal, | Site name taken? No problem - just join the dots, Sutherland Lyall, The Architects Journal, | ||
| − | Volume 212, No 16, 2 November 2000 | + | Volume 212, No 16, 2 November (*)2000 |
Solid Foundations, Marjorie Allthorpe Guyton and Paul Glinkowski, Tate Magazine, | Solid Foundations, Marjorie Allthorpe Guyton and Paul Glinkowski, Tate Magazine, | ||
| − | Winter 2000 | + | Winter (*)2000 |
Digital Folk Artist Nick Crowe Subverts Human-Web Interaction, Glen Hefland, SF Gate, | Digital Folk Artist Nick Crowe Subverts Human-Web Interaction, Glen Hefland, SF Gate, | ||
| − | Monday 31 October 2000 | + | Monday 31 October (*)2000 |
Streaming Networks, Michael Gibbs. Art Monthly, | Streaming Networks, Michael Gibbs. Art Monthly, | ||
| − | October 2000 | + | October (*)2000 |
SERVICE2000, Mike Dawson, FLUX Magazine | SERVICE2000, Mike Dawson, FLUX Magazine | ||
| − | August 2000 | + | August (*)2000 |
Seeing Double, Mike Barnet , City Life Magazine, | Seeing Double, Mike Barnet , City Life Magazine, | ||
| − | issue 410, July 2000 | + | issue 410, July (*)2000 |
Alter e-galleries, Jon Thomson, www.eyestorm.com, | Alter e-galleries, Jon Thomson, www.eyestorm.com, | ||
| − | 12 July 2000 | + | 12 July (*)2000 |
The Men who Subverted the Tate on the Net, Marek Kohn, Independent on Sunday, | The Men who Subverted the Tate on the Net, Marek Kohn, Independent on Sunday, | ||
July 2000 | July 2000 | ||
Artists as Workers and Technology as Artists, Dr Future, VARIANT, | Artists as Workers and Technology as Artists, Dr Future, VARIANT, | ||
| − | Vol 2, No. 11, Summer 2000 | + | Vol 2, No. 11, Summer (*)2000 |
The Other Side of Zero, Graham Parker, Art Monthly, | The Other Side of Zero, Graham Parker, Art Monthly, | ||
| − | May 2000 | + | May (*)2000 |
The New Medium, Flux Magazine, | The New Medium, Flux Magazine, | ||
| − | January 2000 | + | January (*)2000 |
Up Close and Personal, Marek Kohn, Independent on Sunday, | Up Close and Personal, Marek Kohn, Independent on Sunday, | ||
| − | March 1999 | + | March (*)1999 |
Uimassa Toolonahdella, Milla Autio, Helsinki Sanomat, | Uimassa Toolonahdella, Milla Autio, Helsinki Sanomat, | ||
| − | 8 October 1998 | + | 8 October (*)1998 |
Four days, a thousand miles, the Gazza diet & artranspennine98, Jamie Robinson, Blueprint, | Four days, a thousand miles, the Gazza diet & artranspennine98, Jamie Robinson, Blueprint, | ||
| − | No 152, July/August 1998 | + | No 152, July/August (*)1998 |
Mugger Music, Ginger Strand, Theater Journal, | Mugger Music, Ginger Strand, Theater Journal, | ||
| − | May 1998 | + | May (*)1998 |
Absolut New, Robert Clark, Artist Newsletter, | Absolut New, Robert Clark, Artist Newsletter, | ||
| − | February 1998 | + | February (*)1998 |
Currents, Malcolm Miles, Artist Newsletter, | Currents, Malcolm Miles, Artist Newsletter, | ||
| − | January 1998 | + | January (*)1998 |
Live Art’s Digital Horizons, Barry Smith, Literary & Linguistic Computing, | Live Art’s Digital Horizons, Barry Smith, Literary & Linguistic Computing, | ||
| − | Vol 12, Number 4, November 1997 | + | Vol 12, Number 4, November (*)1997 |
Tight Shoes and the lump-cut (Walter’s Embrace), Rob Stone, Coil #5, | Tight Shoes and the lump-cut (Walter’s Embrace), Rob Stone, Coil #5, | ||
| − | Autumn 1997 | + | Autumn (*)1997 |
Concrete Metropolis, Tyler Thoreson, Total New York, | Concrete Metropolis, Tyler Thoreson, Total New York, | ||
| − | June 1997 | + | June (*)1997 |
Young Parents, Andrea McKean, MAKE, | Young Parents, Andrea McKean, MAKE, | ||
| − | Number 76, May/June 1997 | + | Number 76, May/June (*)1997 |
| − | + | ||
Mugger Music (walking the City), Ian Rawlinson, InterELIA Magazine, | Mugger Music (walking the City), Ian Rawlinson, InterELIA Magazine, | ||
| − | Issue 2, Winter 1996 | + | Issue 2, Winter (*)1996 |
The British Art Show 4, Libby Anson, Contemporary Art Magazine, | The British Art Show 4, Libby Anson, Contemporary Art Magazine, | ||
| − | Vol 3, Number 2, Spring 1996 | + | Vol 3, Number 2, Spring (*)1996 |
Ha!, Robert Clark, Untitled, | Ha!, Robert Clark, Untitled, | ||
| − | Number 10, Spring 1996 | + | Number 10, Spring (*)1996 |
| − | + | Xmas (*)1998, Robert Clark, The Guardian, | |
| − | Xmas 1998, Robert Clark, The Guardian, | + | June (*)1995 |
| − | June 1995 | + | |
| − | + | ''Monografie e cataloghi pubblicati'' | |
Urban Memory, History and amnesia in the modern city, Mark Crinson (ed) | Urban Memory, History and amnesia in the modern city, Mark Crinson (ed) | ||
| − | pub Routledge, London, 2005 | + | pub Routledge, London, (*)2005 |
New Media Art, Practice and Context in the UK, 1994 - 2004, Lucy Kimbell (ed) | New Media Art, Practice and Context in the UK, 1994 - 2004, Lucy Kimbell (ed) | ||
| − | pub Arts Council England / Cornerhouse Publications, London/Manchester, 2004 | + | pub Arts Council England / Cornerhouse Publications, London/Manchester, (*)2004 |
Internet Art, Julian Stallabras | Internet Art, Julian Stallabras | ||
| − | pub Tate Publications, London, 2003 | + | pub Tate Publications, London, (*)2003 |
Can one curate successfully online?, Heidi Reitmaier in Future Art Symposia, | Can one curate successfully online?, Heidi Reitmaier in Future Art Symposia, | ||
| − | pub Stans Cafe, Birmingham, 2001 | + | pub Stans Cafe, Birmingham, (*)2001 |
Up for Grabs, narrative and the net, Heidi Reitmaier in Supermanual | Up for Grabs, narrative and the net, Heidi Reitmaier in Supermanual | ||
| − | pub FACT, Liverpool, 2001 | + | pub FACT, Liverpool, (*)2001 |
[[Hanno scritto di lui]] | [[Hanno scritto di lui]] | ||
| − | Pavel Büchler, Art Monthly, September 2004 | + | Pavel Büchler, Art Monthly, September (*)2004 |
| − | Irwin, Art Monthly, April 2004 | + | Irwin, Art Monthly, April (*)2004 |
| − | Band Wagon Jumping, Art Monthly, December/January 2003 | + | Band Wagon Jumping, Art Monthly, December/January (*)2003 |
| − | Dean Hughes, Art Monthly, April 2002 | + | Dean Hughes, Art Monthly, April (*)2002 |
| − | Constantly Falling Rocks, Life is Good in Manchester, pub Trice Publications, 2001 | + | Constantly Falling Rocks, Life is Good in Manchester, pub Trice Publications, (*)2001 |
| − | Parallel Lines, Work and Leisure International, 1999, pub Trice Publications, 2000 | + | Parallel Lines, Work and Leisure International, 1999, pub Trice Publications, (*)2000 |
| − | Websites, AN Magazine, October 2000 | + | Websites, AN Magazine, October (*)2000 |
Progect for the River Medlock, (with Ian Rawlinson) Landlines - Landscape Design Journal, December 1998 | Progect for the River Medlock, (with Ian Rawlinson) Landlines - Landscape Design Journal, December 1998 | ||
| − | Isea 98, Artists Newsletter, September 1998 | + | Isea 98, Artists Newsletter, September (*)1998 |
| − | Connections, Artists Newsletter, December 1997 | + | Connections, Artists Newsletter, December (*)1997 |
Web Sites, Live Art Magazine, No. 11, August - October 96 | Web Sites, Live Art Magazine, No. 11, August - October 96 | ||
Its Queer Up North, Live Art Magazine, No. 10, June - August 96 | Its Queer Up North, Live Art Magazine, No. 10, June - August 96 | ||
The British Art Show, Live Art Magazine, No. 8, February - April 96 | The British Art Show, Live Art Magazine, No. 8, February - April 96 | ||
| − | + | (*)1995 | |
| − | Deliciously Different, Hybrid Magazine, Issue 4, August-September 1993 | + | Deliciously Different, Hybrid Magazine, Issue 4, August-September (*)1993 |
| − | + | ''Altri scritti'' | |
The Day the Internet Disappeared (MM, interracial,) Crash Media, June 1998 | The Day the Internet Disappeared (MM, interracial,) Crash Media, June 1998 | ||
| Riga 469: | Riga 467: | ||
---- | ---- | ||
| − | + | '''5 Poetica''' | |
Negli ultimi anni il lavoro artistico di Nick Crowe si è sviluppato attraverso l’utilizzo di video, performance, disegni e molti altri mezzi espressivi, passando anche attraverso realizzazioni di sculture pubbliche e ad altri interventi non necessariamente collegati agli spazi della galleria e del museo. Molte delle sue opere esaminano i paradigmi e le problematiche emerse dalla diffusione di Internet, esse cercano di gettare uno sguardo antropologico sui cambiamenti che Internet ha imposto sulle nostre relazioni sociali.In tutta questa serie di lavori, Crowe ha scritto libri, realizzato sculture, intagli in vetro, ma ha anche creato opere appositamente per la rete e una serie di animazioni digitali. | Negli ultimi anni il lavoro artistico di Nick Crowe si è sviluppato attraverso l’utilizzo di video, performance, disegni e molti altri mezzi espressivi, passando anche attraverso realizzazioni di sculture pubbliche e ad altri interventi non necessariamente collegati agli spazi della galleria e del museo. Molte delle sue opere esaminano i paradigmi e le problematiche emerse dalla diffusione di Internet, esse cercano di gettare uno sguardo antropologico sui cambiamenti che Internet ha imposto sulle nostre relazioni sociali.In tutta questa serie di lavori, Crowe ha scritto libri, realizzato sculture, intagli in vetro, ma ha anche creato opere appositamente per la rete e una serie di animazioni digitali. | ||
| Riga 479: | Riga 477: | ||
---- | ---- | ||
| − | + | '''6 Progetti futuri''' | |
| Riga 487: | Riga 485: | ||
---- | ---- | ||
| − | + | '''7 Webliografia''' | |
Nick Crowe artwork for download site | Nick Crowe artwork for download site | ||
| Riga 533: | Riga 531: | ||
---- | ---- | ||
| − | + | '''8 Sito web''' | |
http://www.nickcrowe.net/ | http://www.nickcrowe.net/ | ||
Revisione 14:52, 30 Apr 2006
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Crowe Nick
________________________________________
Tabella dei contenuti
1 Biografia
2 Opere
3 Esposizioni recenti
4 Bibliografia
5 Poetica
6 Progetti futuri
7 Webliografia
8 Sito Web
[edit]
1 Biografia
''nato: a Barnsley, Sud Yorkshire, Inghilterra nel 1968''
Nick Crowe è un artista di Manchester la città dove ha studiato e dove attualmente vive.
Nutre uno specifico interesse nell’uso del vetro come materiale d’espressione contemporaneo (vedi le sue sculture 3 Cynical Objects 2001 e l’installazione Operation Telic 2005) e ha lavorato a lungo con mezzi digitali producendo opere per gallerie e presentazioni online.
Esposizioni
(*)1992 The Secret Installation of Nicolas Copernicus, Manchester Festival, (with Index) The Secret Diaries of Nicolas Copernicus, national tour (with Index) Emmanuel Enchanted, Forced Entertainment, national tour. A Brief History of the Mediterranean, Green Room, Manchester (*)1993 66 - 99 (with 33 between), Prema Arts Centre and tour, (with Index) Observations on Architecture, TVOD, Manchester. My A B C, TVOD, Manchester. (*)1994 Soft Rock, Institute of Contemporary Art, London, (with Index) Diverse City, Castlefield Gallery, Manchester, (with Index) The Alphabet of Dogs, Oliver Machine Works, Manchester, (with Index) Hidden J, Forced Entertainment, national tour. (*)1995 Knowledge is Power, ceramic workm multiple sites, (with Ania Witkowska) Cornerhouse - ArtHouse, Hacienda, Manchester, (with Index) Soft Rock, Silesian Museum, Katowice, Poland, (with Index) Ha!,10a Little Peter Street, Manchester, (with Index) (*)1997 AbsolutNew, Castlefield Gallery, Manchester Superstore, Cornerhouse Gallery, Manchester & Arnolfini Gallery, Bristol Connected, Northern Gallery of Contemporary Art, Sunderland Tutor with an Idea, Three Month Gallery, Liverpool. One Day and All of the Night - ISEA 97, Chicago Urbanites, City Racing, London (with Ian Rawlinson and Graham Parker) 20/20, Kingsgate Gallery, London Home Ideals, FAT, London Young Parents, Castlefield Gallery, Manchester (with Martin Vincent). 1996 Town (seen with a straight back), The Annual Programme, Manchester. BANK TV, ICA, London; Transmission, Glasgow; Unfair, Berlin; Live/Life, Lisbon. Something the Museum Sent Us, artists page, Versus Contemporary Art, Issue 5, (with Index) (*)1998 What Difference Does it Make?, Cambridge Darkroom Gallery 20/20, Angel Row, Nottingham Artranspennine98, Manchester (catalogue) (with Ian Rawlinson and Graham Parker) Manchester Academy of Fine Art 139th Open Exhibition (sponsor), Bury Art Gallery (*)1999 Museum Magogo, Glasgow Project Space, Glasgow MART, Centre for the Understanding of the Built Environment, Manchester (with Ian Rawlinson) VirtualTour, Museo de Monterrey, Mexico Vidarte, festival of video and electronic art, Mexico City, Mexico. Life is Good in Manchester, Celeste and Eliot Kunstsalon, Zurich Innovation and Tradition, Northview Gallery, Portland, Oregon (catalogue) (with Ian Rawlinson) (*)2000 7/5, Leeds Metropolitan University, Leeds (with Ian Rawlinson) In Memoriam, New Art Gallery, Walsall (catalogue) Boring, The Works Gallery, Birmingham Look and Feel, Büro Friedrich, Berlin (catalogue) Double Feature : Nick Crowe & Gary Hill, SFMOMA, San Francisco VIPER2000, Theater Basel, Basel Present & Display, Cab Gallery, London & Manchester net.congestion, De Baile, Amsterdam You Are Here, Metropolitan Galleries, Manchester Goethe’s Oak Has Woodworm, Static Gallery, Liverpool ManMOMA, International 3, Manchester Museum Magogo, pb gallery, Melbourne View and Re-view, London Print Studio, London Endings, Whitworth Art Gallery, Manchester Bono & Sting inhabit Lowry’s Living Room, FROM SPACE, Salford ’scape, Kiosk Photographers Gallery, Manchester (with Ian Rawlinson) SpaceCraft, VideoPositive2000, Liverpool (*)2001 A Fair Place, Nouvelle Peripheries/Museum of Contemporary Art, Istanbul The Digital Aesthetic, Harris Museum & Art Gallery, Preston The Second Builders Arms Summer Biennale, International3, Manchester Record Collection, International3, Manchester & Centre d’Art Contemporain, Geneva Ich Bin, 2YK Gallery, Berlin Short Stories,La Fabbrica Del Vapore, Milan (catalogue) Lovebytes 2001, Showroom Cinema, Sheffield (catalogue) Pixel, Chapman Gallery, Salford Nick Crowe & Kenny Hunter, Turnpike Gallery, Wigan Rotterdam International Film Festival, Rotterdam (catalogue) (*)2002 Sambond / Connections, Institute of Culture and Fine Art, Hafnarborg, Iceland Once Again, John Hansard Gallery, Southampton (catalogue) Artones, Liverpool Bienale, Liverpool 6/6, ibidprojects, London Tristero, Film and Video Umbrella, London Travelogue, Whitworth Art Gallery, Manchester (catalogue) Atmosphere, Manchester Art Gallery, Manchester Identinet, Channel 4 Television, London Reactions, Exit Art, New York TAXY, Essor Gallery Project Space, London (*)2003 Post-It, Floating IP, Manchester Blueprint Fakers & Citadel Makers, Comme Ca Art @ Debenhams, Manchester Thermo3, The Lowry, Salford Manchester Portfolio, London Print Studio, London Becks Futures, ICA, London; CCA, Glasgow; Southampton Art Gallery, Southampton (catalogue) (*)2004 FILE-2004, SESI Art Gallery, Sao Paulo (catalogue) Romantic Detachment, P.S.1/MoMA, New York;Q Gallery, Metro Cinema & Susumi Derby; Chapter Arts, Cardiff Futrology, New Art Gallery, Walsall (catalogue) Do Something, Floating IP, Manchester After Life, Bowes Museum, County Durham (catalogue) Futureways, Middelburg Triennale, De Vleeshal, Middelburg, Netherlands (catalogue) (*)2005 Christmas, con’temporary, Berlin Do You Like Stuff?, Swiss Institute, New York 9th International Istanbul Biennial, Istanbul (catalogue) Imagine, Osteopathic Centre for Children, Ancoats, Manchester. Insight, St Andrews Church, Holborn, London There is Always an Alternative, Temporary Contemporary, London; International3, Manchester (catalogue) Post-It, ICA, London; Midway Contemporary Art, Minneapolis
esposizioni principali
(*)1994 Train Up a Child in the Way he Should Go, Holden Gallery, Manchester, (with Index) (*)1996 One Day and All of the Night - Internet Project for ArtAIDS, London. Mugger Music, Manchester International Arts, multiple sites, Manchester (with Jane Gant, Ian Rawlinson and Graham Parker) (*)1997 Mugger Music, Lower Manhattan Cultural Council, multiple sites, New York. (with Ian Rawlinson and Graham Parker) (*)1998 The Ten Point Plan for a Better Helsinki, KIASMA, Helsinki (catalogue) 2 Space Architects, www.theannualprogram.com (with Ian Rawlinson) (*)1999 2 Speakers, ICA, London, (with Ian Rawlinson) The Citizens, pub. Book Works and Artec, (*)2000 Mobile Home Gallery, www.mobilehomegallery.com SERVICE2000, multiple sites, World Wide Web. Discrete Packets, New Media Centre, ICA, London Stuff with Glass and Light, Chapter Gallery, Cardiff The New Medium, Lux Gallery, London (*)2001 Nasdaq Landscape, Yorkshire Sculpture Park, Wakefield Kyoto Protocol, Flux Space, Flux Magazine Aug/Sept (with Ian Rawlinson) (*)2002 Explaining Urbanism to Wild Animals, Tmesis Gallery, Manchester (with Ian Rawlinson)
(*)2001 The Fire’s Prayer, FACT Centre, Liverpool (with Ian Rawlinson)
2 Opere
(*)Operation Telic (2005)
Glass engravings of the occupation of Iraq set on self-illuminating shelves. Incisioni sul vetro, poggiati sui piani illuminati.Installazione
(*)Getting On (2003) Installation of seven moblitiy scooters with classical soundtrack. Commissioned by Chisenhale Gallery, London. Istallazione di sette scooter per disabili con colonna sonora classica.
Questa per Nick Crowe era un’esposizione a carattere sociale senza fini trascendenti.
(*)Police Radio (2003) A web radio station made in collaboration with serving officers from Merseyside Police Force Comissioned by FACT, Liverpool. Un stazione di radio sul web, creato in collaborazione con agenti di polizia in servizio presso la stazione di polizia, Merseyside. Commisionato dal FACT, Liverpool
Qualsiasi disputa, controversia, querela o richiesta di risarcimento, di qualunque natura, relativa all’accesso di questo sito web e i suoi contenuti con tutte le informazioni pubblicate o diffuse, sarà governata e interpretata conformemente alla legge Inglese e, a questo scopo, si accetta di sottoporsi irrevocabilmente all’ unica giurisdizione del tribunale inglese.
(*)The World Wars (2003) A cyberglobe consisting of 74 web sites showing the world under constant attack. Commissioned by BECKS/ICA for Becks Futures 2003. Requires shockwave. Un globo virtuale che consiste di 74 siti web indicanti il mondo sotto constante pericolo di attacco.
(*)Historic Link (2002) A found animation with an embedded url. Un’ animazione trovata con un URL radicato.
(*)Artones ringtones (2002) A collection of screen logo’s and axis-of-evil ringtones. Una collezione di loghi di schermo e assi di cattive suonerie
(*)Different AVs (2002) Amended software for Palace Chatrooms. Commissioned by Channel4 Television & Arts Council of England. Applicazione di software aggiornato per Chatrooms del palazzo reale. Commissionato dal Channel4 Television & Arts Council of England.
[The Management Committee of the World Wide Web Consortium (w3c) (2000)] Thirteen engraved glass portraits of the w3c’s management committee. Tredici ritratti in vetro inciso del comitato di direzione della w3c.
(*)Mobile Home, London (2000)
A web site for a commercial gallery.
Un sito web per una galleria commerciale.
(*)Architectural Association (2000)
A web site.
Un sito web
(*)SERVICE2000_7/29 (2000) A sample of 7 sites from a not-for-profit cybersquatting project using the names of London galleries. Una campionatura di 7 siti tratti da un progetto abusivo di ciber occupazione, che utilizza i nomi di gallerie di Londra. 7 di 29 indirizzi di siti web SERVICE2000 era un progetto che è stato realizzato durante giugno e luglio 2000. Le opere mostrate sono delle ricostruzioni d’esempi archiviati di siti e URL, dai quali sono state fornite perchè non sono più disponibili online. L’immagine sopra mostra come le opere sono state presentate nello spazio espositivo – come un istallazione di Macs dell’epoca.
(*)Cynical Objects (2001) Tree table top sculptures representing the Nasdaq, FTSE and DOW indicies during the year of the dot com crasch. Tre grandi sculture su tavolo rappresentanti Nasdaq, FTSE e DOW nell'anno dei crac dei "punti com".
(*)Discrete Packets (2000)
An interactive film work about a man who is trying to locate his missing daughter.
Commissioned by DA2, Bristol/London for Video Positive 2000 Un’opera di film interattiva che tratta di un uomo che tenta di trovare sua figlia scomparsa.
E’ un film che si insinua tra programmi di navigazione, siti internet per rintracciare persone scomparse e pornografia on-line. E’ un film per Internet e su Internet: un’opera che cerca di tradurre l’estrema permeabilità della rete in un’esperienza quasi cinematica. E in particolare è un’opera d’arte progettata e creata per essere vista da una persona alla volta.
(*)The New Medium (1999]
Fifteen engraved glass sheets from an online memorial site.
Quindici lastre di vetro incise per un sito commemorativo online.
(*)Y2K -The Relationship between Faith and Technology (1999)
A web animation.
Commissioned by The Waiting Rooms.
Un’animazione di web. – Commissionato dal The Waiting Rooms
(*)The Citizens (1999)
A book work of personal homepages.
Commissioned by Book Works & ARTEC, London.
Un opera letteraria di homepage personali.
(*)The 10 point plan for a Better Helsinki (1998)
A collection of web site designs to advocate for an urban improvement to central Helsinki. Made in KIASMA as part of the MUU media festival.
Una collezione di disegni per siti web che promulgano un miglioramento urbano per Helsinki centrale.
(*)Oneday and All of the Night (1996)
A web cam work made for World Aids Day 1996.
Un’opera web cam creato per il giorno mondiale di AIDS 1996.
3 Espozioni recenti
Le sue recenti esposizioni internazionali comprendono:
4 Bibliografia
Articoli e stampa in generale
Independent Collaborative Hospitality, Dave Beech VARIANT Volume 2, number 22, Spring (*)2005 Explaining Urbanism to Wild Animals, Mark Crinson, MUTE Issue 29, February (*)2005 Gregor Schneider, Dave Beech, Art Monthly December(*)2004 Artranspennine03, Neil Mulholland, frieze Issue 79, November - December(*)2003 Nick Crowe and the Merseyside Police Hitlist, Jessica Lack, The Guardian 6 October (*)2003 Nick Crowe, Marcus Verhagen, Art Review September (*)2003 Insider - Steal fun from old people, Tom Morton, ARENA August, (*)2003 The Show Must Go On!, Colin, www.preromanbritain.com August, (*)2003 Nick Crowe, Martin Herbert, Time Out 9 - 16 July, (*)2003 Crowe’s show takes us for a ride, Ben Deighton, Hackney Gazette 3 July (*)2003 Nick Crowe and Ian Rawlinson, Paul Bayley, Art and Christian Enquiry Issue 35, July (*)2003 London, Critics Picks, Rachel Withers, Artforum.com June (*)2003 Deuce, Tim Birch, City Life Magazine Issue 486, 21 - 28 May, (*)2003 Duality and Duplicity on Show, Lucy White, Metro North West 2 May (*)2003 Police Radio Project with a Difference, Laura Twemlow, Merseybeat May, (*)2003 Tasty dishes stand out in Beck’s menu, Charlotte Mullins, Financial Times 30 April, (*)2003 Serious art, or pessimist chic?, JJ Charlesworth, The Daily Telegraph 9 April, (*)2003 The future’s dim, Adrian Searle, The Guardian 8 April, (*)2003 Invisible Art is the new must-see, Nigel Reynolds, The Daily Telegraph 2 April (*)2003 Bedtime for Saatchi, Flachra Gibbons, The Guardian 2 April, (*)2003 The Ghost in the Machine, Mick Robertson, FLUX Magazine February (*)2003 Certifiable Art, Paul Black, Flash Art October (*)2002 Private View, Tim Birch, City Life Magazine Issue 467, 9 - 24 October (*)2002 Swetlana Heger, Nick Crowe, Roland Boden, Sally O Reilly, Time Out 18 -25 September (*)2002 Ich Bin, Axel Lapp, Art Monthly September (*)2001 From the Web To Eternity, Alex Perez, Business 2.0, 6 March (*)2001 Life is Good in Manchester, Ronnie Simpson, Art Review, December/January (*)2001 The user takes all, Georg Schoellhammer, Springerin, December/January (*)2001 Go West Young Man, Graham Parker, Art Monthly, December/January (*)2001 Dying is an Art and They Do it Very Well, Charles Darwent, Independent on Sunday, 10 Decermber (*)2000 Site name taken? No problem - just join the dots, Sutherland Lyall, The Architects Journal, Volume 212, No 16, 2 November (*)2000 Solid Foundations, Marjorie Allthorpe Guyton and Paul Glinkowski, Tate Magazine, Winter (*)2000 Digital Folk Artist Nick Crowe Subverts Human-Web Interaction, Glen Hefland, SF Gate, Monday 31 October (*)2000 Streaming Networks, Michael Gibbs. Art Monthly, October (*)2000 SERVICE2000, Mike Dawson, FLUX Magazine August (*)2000 Seeing Double, Mike Barnet , City Life Magazine, issue 410, July (*)2000 Alter e-galleries, Jon Thomson, www.eyestorm.com, 12 July (*)2000 The Men who Subverted the Tate on the Net, Marek Kohn, Independent on Sunday, July 2000 Artists as Workers and Technology as Artists, Dr Future, VARIANT, Vol 2, No. 11, Summer (*)2000 The Other Side of Zero, Graham Parker, Art Monthly, May (*)2000 The New Medium, Flux Magazine, January (*)2000 Up Close and Personal, Marek Kohn, Independent on Sunday, March (*)1999 Uimassa Toolonahdella, Milla Autio, Helsinki Sanomat, 8 October (*)1998 Four days, a thousand miles, the Gazza diet & artranspennine98, Jamie Robinson, Blueprint, No 152, July/August (*)1998 Mugger Music, Ginger Strand, Theater Journal, May (*)1998 Absolut New, Robert Clark, Artist Newsletter, February (*)1998 Currents, Malcolm Miles, Artist Newsletter, January (*)1998 Live Art’s Digital Horizons, Barry Smith, Literary & Linguistic Computing, Vol 12, Number 4, November (*)1997 Tight Shoes and the lump-cut (Walter’s Embrace), Rob Stone, Coil #5, Autumn (*)1997 Concrete Metropolis, Tyler Thoreson, Total New York, June (*)1997 Young Parents, Andrea McKean, MAKE, Number 76, May/June (*)1997 Mugger Music (walking the City), Ian Rawlinson, InterELIA Magazine, Issue 2, Winter (*)1996 The British Art Show 4, Libby Anson, Contemporary Art Magazine, Vol 3, Number 2, Spring (*)1996 Ha!, Robert Clark, Untitled, Number 10, Spring (*)1996 Xmas (*)1998, Robert Clark, The Guardian, June (*)1995
Monografie e cataloghi pubblicati
Urban Memory, History and amnesia in the modern city, Mark Crinson (ed) pub Routledge, London, (*)2005 New Media Art, Practice and Context in the UK, 1994 - 2004, Lucy Kimbell (ed) pub Arts Council England / Cornerhouse Publications, London/Manchester, (*)2004 Internet Art, Julian Stallabras pub Tate Publications, London, (*)2003 Can one curate successfully online?, Heidi Reitmaier in Future Art Symposia, pub Stans Cafe, Birmingham, (*)2001 Up for Grabs, narrative and the net, Heidi Reitmaier in Supermanual pub FACT, Liverpool, (*)2001 Hanno scritto di lui Pavel Büchler, Art Monthly, September (*)2004 Irwin, Art Monthly, April (*)2004 Band Wagon Jumping, Art Monthly, December/January (*)2003 Dean Hughes, Art Monthly, April (*)2002 Constantly Falling Rocks, Life is Good in Manchester, pub Trice Publications, (*)2001 Parallel Lines, Work and Leisure International, 1999, pub Trice Publications, (*)2000 Websites, AN Magazine, October (*)2000 Progect for the River Medlock, (with Ian Rawlinson) Landlines - Landscape Design Journal, December 1998 Isea 98, Artists Newsletter, September (*)1998 Connections, Artists Newsletter, December (*)1997 Web Sites, Live Art Magazine, No. 11, August - October 96 Its Queer Up North, Live Art Magazine, No. 10, June - August 96 The British Art Show, Live Art Magazine, No. 8, February - April 96
Deliciously Different, Hybrid Magazine, Issue 4, August-September (*)1993
Altri scritti
The Day the Internet Disappeared (MM, interracial,) Crash Media, June 1998
5 Poetica
Negli ultimi anni il lavoro artistico di Nick Crowe si è sviluppato attraverso l’utilizzo di video, performance, disegni e molti altri mezzi espressivi, passando anche attraverso realizzazioni di sculture pubbliche e ad altri interventi non necessariamente collegati agli spazi della galleria e del museo. Molte delle sue opere esaminano i paradigmi e le problematiche emerse dalla diffusione di Internet, esse cercano di gettare uno sguardo antropologico sui cambiamenti che Internet ha imposto sulle nostre relazioni sociali.In tutta questa serie di lavori, Crowe ha scritto libri, realizzato sculture, intagli in vetro, ma ha anche creato opere appositamente per la rete e una serie di animazioni digitali. Sempre all’interno di questo progetto, ha registrato il dominio di ventinove gallerie londinesi, ha creato volontariamente pagine web di pessimo gusto con tanto di musica di sottofondo e ha collegato fra di loro i vari siti, raccolti sotto il nome di SERVICE 2000 (vedi foto nelle opere). Alla base di questa ricerca c’è sempre il desiderio di descrivere e raccontare Internet come un propulsore di cambiamenti culturali, il suo lavoro cioè cerca di segnare come in una mappa questi luoghi e quei punti nei quali la rete ridisegna i confini sociali ed economici. Tracciare un identikit di chi passa le giornate a svolgere affari online, giocando in borsa e magari progettando proprie home pages e osservare tutti quegli e-mail che corrono velocissimi sui cavi. Il lavoro di Crowe è una sperimentazione interessante proprio perché in alcuni casi apre il confine dell’opera, dando la possibilità di intervenire da casa all’interno della mostra e viceversa grazie al web. Oltre che come artista Crowe ha lavorato in qualità di Direttore per l’Annual Programme, Manchester (1995-2001) ed è stato membro del comitato organizzante per il padiglione di Manchester alla Binennale di Venezia del 2001.
6 Progetti futuri
7 Webliografia
Nick Crowe artwork for download site The web site of Nick Crowe, an artist based in Manchester in the North West of England. Digital works available for downloading includes The World Wars, ... lingua: en http://go.virgilio.it/clkc_M_search_siti_google__0_1_1/http://www.nickcrowe.net/ nickcrowe.net/onlineworks/discretepackets Discrete Packets (2000). version for mac users • version for pc users. load the ppp.htm into your browser and then go to Yahoo. lingua: en http://go.virgilio.it/clkc_M_search_siti_google__0_1_2/http://www.nickcrowe.net/online/discretepackets/index.html 0100101110101101.ORG > Media coverage NICK CROWE (http://www.nickcrowe.net) comenzó su trayectoria artística como escultor de obras públicas, pero rápidamente se acercó al vídeo, la performance ... lingua: es http://go.virgilio.it/clkc_M_search_siti_google__0_1_3/http://0100101110101101.org/texts/ciberpais_hell1-sp.html 0100101110101101.ORG > Media coverage Nick Crowe: www.nickcrowe.net/ Dia Center for the Arts: www.diacenter.org/ Douglas Davis: math240.lehman.cuny.edu/art/ Janine Gordon: www.thing.net/~janine/ ... http://go.virgilio.it/clkc_M_search_siti_google__0_1_4/http://0100101110101101.org/texts/lapiz_copy-it.html mainpage http://www.nickcrowe.net/online/10pointplan/10pointplan.pdf. The Citizens 1999, web pages and artist’s book A collection of personal homepages hand-rendered ... lingua: en http://go.virgilio.it/clkc_M_search_siti_google__0_1_5/http://www.identinet.net/html/crowe-previous.html net . cong es t ion Nick Crowe: nickcrowe.net, Manchester, UK Nora Barry: The Bit Screen, Narberth, USA Fabian Wagminster: Los Angeles, USA / Argentina ... lingua: en http://go.virgilio.it/clkc_M_search_siti_google__0_1_6/http://net.congestion.org/html/programme.html Anthropology.net, Jon Thomson anthropology.net In less than a decade, the internet has been compulsively ... project made with support from Artec in London. http://www.nickcrowe.net. ... lingua: en http://go.virgilio.it/clkc_M_search_siti_google__0_1_7/http://www.thomson-craighead.net/docs/anthro.html eyestorm - article - Alter e-galleries http://www.nickcrowe.net Jon Thomson is an artist based in London working in collaboration with Alison Craighead. http://www.thomson-craighead.net ... lingua: en http://go.virgilio.it/clkc_M_search_siti_google__0_1_8/http://www.eyestorm.com/feature/ED2n_article.asp?article_id=118 Rhizome.org: Nick Crowe ... After Life, Bowes Museum, County Durham and the First Middelburg Triennale, Middelburg, Netherlands. Visit www.nickcrowe.net for uptodate biog. Art Work ... lingua: en http://go.virgilio.it/clkc_M_search_siti_google__0_1_9/http://rhizome.org/member.rhiz?user_id=1021860 Variant | 22 Spring 2005 http://nickcrowe.net • www.sparwasserhq.de • www.dave.beech.clara.net. Transfiguration of the Commonplace Anna Dezeuze Art, life and the everyday: a history ... lingua: en http://go.virgilio.it/clkc_M_search_siti_google__0_1_10/http://www.variant.randomstate.org/issue22.html
8 Sito web
Ricavato da “http://www.ecn.org/wikiartpedia/index.php/Nick Crowe
Categories: Scheda | Nick Crowe
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