Le arti delle reti: differenze tra le versioni

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[[Ascott Roy]]
 
[[Ascott Roy]]
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*[[Is There Love in the Telematic Embrace?]]
 
*[[Is There Love in the Telematic Embrace?]]
  

Revisione 13:47, 24 Gen 2005

Le arti delle reti

Storie e caratteristiche


a cura di Tommaso Tozzi


Introduzione


Capitolo 1

Storie e caratteristiche delle arti delle reti


Capitolo 2

Testi sull’arte delle reti:

Adrian Robert

Ascott Roy


Berry Josephine


Broeckmann Andreas


Couey Anna

  • Cyber Art: The Art of Communication Systems
  • Art Works as Organic Communication Systems


Cramer Florian

  • Software Art (Florian Cramer e Ulrike Gabriel)
  • Free software as collaborative text
  • Re: Tilman-RFC #1: net art history 1993 – 1996
  • Concepts, Notations, Software, Art
  • Language, a Virus?


Critical Art Ensemble

  • Electronic Civil Disobedience, Simulation, and the Public Sphere (di Steven Kurtz)
  • Utopian Plagiarism, Hypertextuality, and Electronic Cultural Production
  • Interview with critical art ensemble (by J. Bosma)


Depocas Alain

  • Digital Preservation: Recording the Recoding. The Documentary Strategy


Dieter Daniels

  • Strategies of Interactivity


Garcia David, Lovink Geert


Gere Charlie

  • Utopia, the Avant-Garde, and the Telegraph


Gidney Eric

  • Art and telecommunications – 10 years on


Greene Rachel

  • Web Work: A history of internet art


Inke Arns

  • Interaction, Participation, Networking. Art and telecommunication


Kac Eduardo

  • Aspects of the aesthetics of telecommunications

[[ Kluitenberg Eric]]

  • Transfiguration of the Avant-Garde / The Negative Dialectics of the Net


Lunenfeld Peter

  • In Search of the Telephone Opera
  • Manovich Lev
  • I Nuovi Media da Borges all’html


Neural (Ludovico Alessandro)


Shanken Edward A.

  • Telematic Embrace: A Love Story? Roy Ascott's Theories of Telematic Art


Strano Network


Syndicate (Broeckmann Andreas, Arns Inke)

  • A Translocal Formation. V2_East, the Syndicate, Deep Europe


Tribe Mark

  • Archiving net.art


V2_Organisatie (Alex Adriaansens)

  • Digital territories


Van der Cruijsen Walter

  • On net.art
  • Artists Networks
  • The Temporary Museum concept


Welch Chuck

  • Telnetlinks. Art Com. November 1991. Volume 11 Number 10


Capitolo 3

Schede soggetti dell’arte delle reti:

01.org, Adaweb, Adilkno, Adrian Robert, AHA, Amerika Mark, Arns Inke, ®™Ark, Ascott Roy, Bartlett Bill, Baumgärtel tilman, Berry Josephine, Bookchin Natalie, Bosma Josephine, Broeckmann Andreas, Bunting Heath, Bureau of Inverse Technology, Chaos Computer Club, Cohen Jonah Brucker, Cosic Vuk, Couey Anna, CRAIAT (Luca Toschi), Cramer Florian, Critical Art Ensemble, Davis Douglas, De Kerckhove Derrick, Decoder, Depocas Alain, Dieter Daniels, Dietz Steve, Druckrey Timothy, E.A.T. (Experiments in Art and Technology), Electronic Disturbance Theatre, EpidemiC, Etoy, Forest Fred, Frank K., Fuller Matthew, Gabor Denis, Galloway Alex, Galloway Kit, Gidney Eric, Greene Rachel, Grundmann Heidi, I/O/D, Hakim Bey, Indymedia, Irational.org, Isole nella Rete, Jaromil, Jeremijenko Natalie, Jodi (aka Heemskerk Joan e Paesmans Dirk), Ippolito J., Kac Eduardo, Kluitenberg Eric, Kluver Billy, Kurtz Steven, Lévy Pierre, Lialina Olia, Lovink Geert, Lunenfeld Peter, Luther Blisset,, Malloy Judy, Manovich Lev, Marshall Stephen (Guerrilla News Network’s), Mc Carty Diana, Mikro, Mongrel, Muntadas Antoni, Napier Mark, Nettime, Neural, Nezvanova Netochka, Noema (Pierluigi Capucci), Rabinowitz Sherrie, Radical Software Group, Randall Packer, Popper Frank, Rekombinant, Riemens Patrice, Shanken Edward A., Schultz Pit, Shulgin Alexei, Sollfrank Cornelia, Strano Network, Surveillance Camera Players, Syndicate, The Ascii Art Ensemble, The Thing, Tisma Andrej, Tozzi Tommaso, Tribe Mark, V2, Van der Cruijsen Walter, Velena Helena, Verde Giacomo, Vesna Victoria, VNS Matrix, Ward Adrian, Weibel Peter, Weil Benjamin, Welch Chuck, White Norman, Wisniewski Maciej, Yes Men


Capitolo 4

Istituzioni dell’arte delle reti (Festival, mostre, centri culturali, ecc.):

Ars Electronica (Linz, Austria), DEAF (The Dutch Electronic Art Festival), De Waag (Amsterdam, Olanda), Intercomunication Center (Tokyo, Giappone), ISEA (Inter-Society for the Electronic Art, Olanda), New Media Institute (Francoforte, Germania), SFMoma (San Francisco Museum of Modern Art, USA), V2 Organisation, Institute for the Unstable Media (Rotterdam, Olanda), Walker Art Center (USA), Whitney Museum (New York, USA), ZKM (Karlsruhe, Germania), (Toronto)


Bibliografia