Le arti delle reti
Le arti delle reti
Storie e caratteristiche
a cura di Tommaso Tozzi
Introduzione
Capitolo 1
Storie e caratteristiche delle arti delle reti
Capitolo 2
Testi sull’arte delle reti:
Contents
- 1 Adrian Robert
- 2 Ascott Roy
- 3 Berry Josephine
- 4 Broeckmann Andreas
- 5 Couey Anna
- 6 Cramer Florian
- 7 Critical Art Ensemble
- 8 Depocas Alain
- 9 Dieter Daniels
- 10 Garcia David, Lovink Geert
- 11 Gere Charlie
- 12 Gidney Eric
- 13 Greene Rachel
- 14 Inke Arns
- 15 Kac Eduardo
- 16 Kluitenberg Eric
- 17 Lunenfeld Peter
- 18 Shanken Edward A.
- 19 Strano network
- 20 Tribe Mark
- 21 Van der Cruijsen Walter
- 22 Welch Chuck
- 23 Capitolo 3
- 24 Capitolo 4
- 25 Bibliografia
Adrian Robert
Ascott Roy
Berry Josephine
Broeckmann Andreas
- Net. Art, Macchine e Parassiti
- Art in the electronic networks
- Are you Online? Presence and Participation in Network Art
Couey Anna
Cramer Florian
- Software Art (Florian Cramer e Ulrike Gabriel)
- Free software as collaborative text
- Re: Tilman-RFC #1: net art history 1993 – 1996
- Concepts, Notations, Software, Art
- Language, a Virus?
Critical Art Ensemble
- Electronic Civil Disobedience, Simulation, and the Public Sphere (di Steven Kurtz)
- Utopian Plagiarism, Hypertextuality, and Electronic Cultural Production
- Interview with critical art ensemble (by J. Bosma)
Depocas Alain
Dieter Daniels
Garcia David, Lovink Geert
Gere Charlie
Gidney Eric
Greene Rachel
Inke Arns
Kac Eduardo
Kluitenberg Eric
Lunenfeld Peter
- In Search of the Telephone Opera
- Manovich Lev
- I Nuovi Media da Borges all’html
==Neural== (Ludovico Alessandro)
Shanken Edward A.
Strano network
==Syndicate== (Broeckmann Andreas, Arns Inke)
Tribe Mark
==V2_Organisatie== (Alex Adriaansens)
Van der Cruijsen Walter
Welch Chuck
Capitolo 3
Schede soggetti dell’arte delle reti:
01.org, Adaweb, Adilkno, Adrian Robert, AHA, Amerika Mark, Arns Inke, ®™Ark, Ascott Roy, Bartlett Bill, Baumgärtel tilman, Berry Josephine, Bookchin Natalie, Bosma Josephine, Broeckmann Andreas, Bunting Heath, Bureau of Inverse Technology, Chaos Computer Club, Cohen Jonah Brucker, Cosic Vuk, Couey Anna, CRAIAT (Luca Toschi), Cramer Florian, Critical Art Ensemble, Davis Douglas, De Kerckhove Derrick, Decoder, Depocas Alain, Dieter Daniels, Dietz Steve, Druckrey Timothy, E.A.T. (Experiments in Art and Technology), Electronic Disturbance Theatre, EpidemiC, Etoy, Forest Fred, Frank K., Fuller Matthew, Gabor Denis, Galloway Alex, Galloway Kit, Gidney Eric, Greene Rachel, Grundmann Heidi, I/O/D, Hakim Bey, Indymedia, Irational.org, Isole nella Rete, Jaromil, Jeremijenko Natalie, Jodi (aka Heemskerk Joan e Paesmans Dirk), Ippolito J., Kac Eduardo, Kluitenberg Eric, Kluver Billy, Kurtz Steven, Lévy Pierre, Lialina Olia, Lovink Geert, Lunenfeld Peter, Luther Blisset,, Malloy Judy, Manovich Lev, Marshall Stephen (Guerrilla News Network’s), Mc Carty Diana, Mikro, Mongrel, Muntadas Antoni, Napier Mark, Nettime, Neural, Nezvanova Netochka, Noema (Pierluigi Capucci), Rabinowitz Sherrie, Radical Software Group, Randall Packer, Popper Frank, Rekombinant, Riemens Patrice, Shanken Edward A., Schultz Pit, Shulgin Alexei, Sollfrank Cornelia, Strano Network, Surveillance Camera Players, Syndicate, The Ascii Art Ensemble, The Thing, Tisma Andrej, Tozzi Tommaso, Tribe Mark, V2, Van der Cruijsen Walter, Velena Helena, Verde Giacomo, Vesna Victoria, VNS Matrix, Ward Adrian, Weibel Peter, Weil Benjamin, Welch Chuck, White Norman, Wisniewski Maciej, Yes Men
Capitolo 4
Istituzioni dell’arte delle reti (Festival, mostre, centri culturali, ecc.):
Ars Electronica (Linz, Austria), DEAF (The Dutch Electronic Art Festival), De Waag (Amsterdam, Olanda), Intercomunication Center (Tokyo, Giappone), ISEA (Inter-Society for the Electronic Art, Olanda), New Media Institute (Francoforte, Germania), SFMoma (San Francisco Museum of Modern Art, USA), V2 Organisation, Institute for the Unstable Media (Rotterdam, Olanda), Walker Art Center (USA), Whitney Museum (New York, USA), ZKM (Karlsruhe, Germania), (Toronto)