Le arti delle reti: differenze tra le versioni
Tratto da EduEDA
| (79 versioni intermedie di 10 utenti non mostrate) | |||
| Riga 1: | Riga 1: | ||
| − | Le arti delle reti | + | ==Le arti delle reti== |
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| − | + | ==Storie e caratteristiche== | |
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| + | ==A cura di== | ||
Tommaso Tozzi | Tommaso Tozzi | ||
| − | Introduzione | + | ==Introduzione== |
| − | Capitolo 1 | + | ==Capitolo 1== |
| − | Storie e caratteristiche delle arti delle reti | + | ''Storie e caratteristiche delle arti delle reti'' |
| − | Capitolo 2 | + | ==Capitolo 2== |
| − | Testi sull’arte delle reti: | + | ''Testi sull’arte delle reti:'' |
| − | Adrian Robert | + | [[Adrian Robert]] |
| − | + | *[[Art and Telecommunication, 1979-1986: The Pioneer Years]] | |
| − | 1979-1986: The Pioneer Years | + | |
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| − | + | [[Arns Inke]] | |
| − | + | *[[Interaction, Participation, Networking. Art and telecommunication]] | |
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| − | + | [[Ascott Roy]] | |
| − | + | *[[Is There Love in the Telematic Embrace?]] | |
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| − | + | [[Berry Josephine]] | |
| − | + | *[[Tactical Art in Virtual Space 1]] | |
| − | + | *[[Tactical Art in Virtual Space 2]] | |
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| − | + | [[Broeckmann Andreas]] | |
| − | + | *[[Net. Art, Macchine e Parassiti]] | |
| + | *[[Art in the electronic networks]] | ||
| + | *[[Are you Online? Presence and Participation in Network Art]] | ||
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| − | + | [[Couey Anna]] | |
| − | + | *[[Cyber Art: The Art of Communication Systems]] | |
| + | *[[Art Works as Organic Communication Systems]] | ||
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| − | Greene Rachel | + | [[Cramer Florian]] |
| − | + | *[[Software Art (Florian Cramer e Ulrike Gabriel)]] | |
| + | *[[Free software as collaborative text]] | ||
| + | *[[Re: Tilman-RFC|Re: Tilman-RFC #1: net art history 1993 – 1996]] | ||
| + | *[[Concepts, Notations, Software, Art]] | ||
| + | *[[Language, a Virus?]] | ||
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| + | [[Critical Art Ensemble]] | ||
| + | *[[Electronic Civil Disobedience, Simulation, and the Public Sphere (di Steven Kurtz)]] | ||
| + | *[[Utopian Plagiarism, Hypertextuality, and Electronic Cultural Production]] | ||
| + | *[[Interview with critical art ensemble (by J. Bosma)]] | ||
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| + | [[Depocas Alain]] | ||
| + | *[[Digital Preservation: Recording the Recoding. The Documentary Strategy]] | ||
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| + | [[Dieter Daniels]] | ||
| + | *[[Strategies of Interactivity]] | ||
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| + | [[Garcia David]], [[Lovink Geert]] | ||
| + | *[[The ABC of Tactical Media]] | ||
| + | *[[DEF of Tactical Media]] | ||
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| + | [[Gere Charlie]] | ||
| + | *[[Utopia, the Avant-Garde, and the Telegraph]] | ||
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| + | [[Gidney Eric]] | ||
| + | *[[Art and telecommunications - 10 years on]] | ||
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| + | [[Greene Rachel]] | ||
| + | *[[Web Work: A history of internet art]] | ||
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| − | Kac Eduardo | + | [[Kac Eduardo]] |
| − | + | *[[Aspects of the aesthetics of telecommunications]] | |
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| + | [[Kluitenberg Eric]] | ||
| + | *[[Transfiguration of the Avant-Garde / The Negative Dialectics of the Net]] | ||
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| + | [[Lunenfeld Peter]] | ||
| + | *[[In Search of the Telephone Opera]] | ||
| + | *[[Manovich Lev]] | ||
| + | *I[[I Nuovi media da Borges all'html]] | ||
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| + | [[Neural]] | ||
| + | ([[Ludovico Alessandro]]) | ||
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| + | [[Shanken Edward A.| Shanken Edward A.]] | ||
| + | *[[Telematic Embrace: A Love Story? Roy Ascott's Theories of Telematic Art]] | ||
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| + | [[Strano network]] | ||
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| + | [[Syndicate]] ([[Broeckmann Andreas]], [[Arns Inke]]) | ||
| + | *[[A Translocal Formation. V2_East, the Syndicate, Deep Europe]] | ||
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| − | + | [[Tribe Mark]] | |
| − | + | *[[Archiving net.art]] | |
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| − | + | [[V2|V2_Organisatie]] ([[Adriaansens Alex]]) | |
| − | + | *[[Digital Territories]] | |
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| − | + | [[Van der Cruijsen Walter]] | |
| − | + | *[[On net.art]] | |
| + | *[[Artists Networks]] | ||
| + | *[[The Temporary Museum concept]] | ||
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| − | + | [[Welch Chuck]] | |
| − | + | *[[Telnetlinks. Art Com. November 1991. Volume 11 Number 10]] | |
| − | + | ==Capitolo 3== | |
| − | + | ''Schede soggetti dell’arte delle reti:'' | |
| − | Van der Cruijsen Walter | + | [[0100101110101101.org]], [[Ada Web]], [[Adilkno]], [[Adrian Robert]], [[AHA]], [[Mark Amerika|Amerika Mark]], [[Arns Inke]], [[Art Mark]], [[Ascott Roy]], [[Bartlett Bill]], [[Baumgärtel tilman]], [[Berry Josephine]], [[Bookchin Natalie]], [[Bosma Josephine]], [[Broeckmann Andreas]], [[Heath Bunting]], [[Bureau of Inverse Technology]], [[Chaos Computer Club]], [[Cohen Jonah Brucker]], [[Cosic Vuk]], [[Couey Anna]], [[CRAIAT (Luca Toschi)]], [[Cramer Florian]], [[Critical Art Ensemble]], [[Davis Douglas]], [[De Kerckhove Derrick]], [[Decoder]], [[Depocas Alain]], [[Dieter Daniels]], [[Dietz Steve]], [[Druckrey Timothy]], [[E.A.T.]] (Experiments in Art and Technology), [[Electronic Disturbance Theatre]], [[EpidemiC]], [[Etoy]], [[Forest Fred]], [[Frank Keith]], [[Fuller Matthew]], [[Gabor Denis]], [[Galloway Alex]], [[Galloway Kit]], [[Gidney Eric]], [[Greene Rachel]], [[Grundmann Heidi]], [[I/O/D]], [[Hakim Bey]], [[Indymedia]], [[Irational.org]], [[Isole nella Rete]],[[ Jaromil Denis Roio]],[[ Jeremijenko Natalie]], [[Jodi]] (aka Heemskerk Joan e Paesmans Dirk)]], [[Ippolito Jon]], [[Kac Eduardo]], [[Kluitenberg Eric]], [[Kluver Billy]], [[Kurtz Steven]], [[Levy Pierre]], [[Lialina Olia]], [[Lovink Geert]], [[Lunenfeld Peter]], [[Luther Blissett Project|Luther Blissett]],, [[Malloy Judy]], [[Manovich Lev]], [[Marshall Stephen (Guerrilla News Network's)]], [[McCarty Diana]], [[Mikro]],[[ Mongrel]], [[Muntadas Antoni]], [[Napier Mark]], [[Nettime]], [[Neural]], [[Nezvanova Netochka]], [[Noema (Pierluigi Capucci)]], [[Rabinowitz Sherrie]], [[Radical software group]], [[Packer Randall|Randall Packer]], [[Popper Frank]], [[Rekombinant]], [[Riemens Patrice]], [[Shanken Edward A.]], [[Schultz Pit]], [[Shulgin Alexei]], [[Sollfrank Cornelia]], [[Strano network]], [[Surveillance camera players]], [[Syndicate]], [[The Ascii Art Ensemble]], [[The Thing]], [[Tisma Andrej]], [[Tozzi Tommaso]], [[Tribe Mark]], [[V2]], [[Van der Cruijsen Walter]], [[Velena Helena]], [[Verde Giacomo]], [[Vesna Victoria]], [[Vns Matrix]], [[Ward Adrian]], [[Weibel Peter]], [[Weil Benjamin]], [[Welch Chuck]], [[White Norman]], [[Wisniewski Maciej]], [[Yes men]] |
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| − | + | ==Capitolo 4== | |
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| + | ''Istituzioni dell’arte delle reti | ||
| + | (Festival, mostre, centri culturali, ecc.):'' | ||
| − | + | Ars Electronica (Linz, Austria), DEAF (The Dutch Electronic Art Festival), De Waag (Amsterdam, Olanda), Intercomunication Center (Tokyo, Giappone), ISEA (Inter-Society for the Electronic Art, Olanda), New Media Institute (Francoforte, Germania), SFMoma (San Francisco Museum of Modern Art, USA), V2 Organisation, Institute for the Unstable Media (Rotterdam, Olanda), Walker Art Center (USA), Whitney Museum (New York, USA), ZKM (Karlsruhe, Germania), (Toronto) | |
| − | + | ==Augmented reality:== | |
| − | + | '''Latitudine:''' 43.76956 | |
| + | '''Longitudine:''' 11.255814 | ||
| − | + | '''Portali di augmented reality:''' ''App'': '''Wikitude''', ''Canale'': '''EduEDA''' | |
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| − | + | ==Bibliografia== | |
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| Riga 130: | Riga 164: | ||
| + | NOTA: "Le arti delle Reti" è il progetto di un libro in attesa di pubblicazione | ||
| − | + | [[categoria:Testo]] | |
| + | [[categoria:Testo di Tozzi Tommaso]] | ||
| + | [[categoria:Arte delle reti]] | ||
| + | [[categoria:Hacker art]] | ||
| + | [[categoria:Net art]] | ||
| + | [[categoria:Pratiche e culture artistiche]] | ||
| + | [[categoria:Hacktivism]] | ||
| + | [[categoria:Media activism]] | ||
| + | [[categoria:Arte e scienza]] | ||
| + | [[categoria:Media art]] | ||
| + | [[categoria:Computer art]] | ||
| + | [[categoria:Arte digitale]] | ||
| + | [[categoria:AR]] | ||
Versione attuale delle 16:05, 15 Giu 2017
Contents
Le arti delle reti
Storie e caratteristiche
A cura di
Tommaso Tozzi
Introduzione
Capitolo 1
Storie e caratteristiche delle arti delle reti
Capitolo 2
Testi sull’arte delle reti:
- Net. Art, Macchine e Parassiti
- Art in the electronic networks
- Are you Online? Presence and Participation in Network Art
- Software Art (Florian Cramer e Ulrike Gabriel)
- Free software as collaborative text
- Re: Tilman-RFC #1: net art history 1993 – 1996
- Concepts, Notations, Software, Art
- Language, a Virus?
- Electronic Civil Disobedience, Simulation, and the Public Sphere (di Steven Kurtz)
- Utopian Plagiarism, Hypertextuality, and Electronic Cultural Production
- Interview with critical art ensemble (by J. Bosma)
Syndicate (Broeckmann Andreas, Arns Inke)
V2_Organisatie (Adriaansens Alex)
Capitolo 3
Schede soggetti dell’arte delle reti:
0100101110101101.org, Ada Web, Adilkno, Adrian Robert, AHA, Amerika Mark, Arns Inke, Art Mark, Ascott Roy, Bartlett Bill, Baumgärtel tilman, Berry Josephine, Bookchin Natalie, Bosma Josephine, Broeckmann Andreas, Heath Bunting, Bureau of Inverse Technology, Chaos Computer Club, Cohen Jonah Brucker, Cosic Vuk, Couey Anna, CRAIAT (Luca Toschi), Cramer Florian, Critical Art Ensemble, Davis Douglas, De Kerckhove Derrick, Decoder, Depocas Alain, Dieter Daniels, Dietz Steve, Druckrey Timothy, E.A.T. (Experiments in Art and Technology), Electronic Disturbance Theatre, EpidemiC, Etoy, Forest Fred, Frank Keith, Fuller Matthew, Gabor Denis, Galloway Alex, Galloway Kit, Gidney Eric, Greene Rachel, Grundmann Heidi, I/O/D, Hakim Bey, Indymedia, Irational.org, Isole nella Rete, Jaromil Denis Roio, Jeremijenko Natalie, Jodi (aka Heemskerk Joan e Paesmans Dirk)]], Ippolito Jon, Kac Eduardo, Kluitenberg Eric, Kluver Billy, Kurtz Steven, Levy Pierre, Lialina Olia, Lovink Geert, Lunenfeld Peter, Luther Blissett,, Malloy Judy, Manovich Lev, Marshall Stephen (Guerrilla News Network's), McCarty Diana, Mikro, Mongrel, Muntadas Antoni, Napier Mark, Nettime, Neural, Nezvanova Netochka, Noema (Pierluigi Capucci), Rabinowitz Sherrie, Radical software group, Randall Packer, Popper Frank, Rekombinant, Riemens Patrice, Shanken Edward A., Schultz Pit, Shulgin Alexei, Sollfrank Cornelia, Strano network, Surveillance camera players, Syndicate, The Ascii Art Ensemble, The Thing, Tisma Andrej, Tozzi Tommaso, Tribe Mark, V2, Van der Cruijsen Walter, Velena Helena, Verde Giacomo, Vesna Victoria, Vns Matrix, Ward Adrian, Weibel Peter, Weil Benjamin, Welch Chuck, White Norman, Wisniewski Maciej, Yes men
Capitolo 4
Istituzioni dell’arte delle reti (Festival, mostre, centri culturali, ecc.):
Ars Electronica (Linz, Austria), DEAF (The Dutch Electronic Art Festival), De Waag (Amsterdam, Olanda), Intercomunication Center (Tokyo, Giappone), ISEA (Inter-Society for the Electronic Art, Olanda), New Media Institute (Francoforte, Germania), SFMoma (San Francisco Museum of Modern Art, USA), V2 Organisation, Institute for the Unstable Media (Rotterdam, Olanda), Walker Art Center (USA), Whitney Museum (New York, USA), ZKM (Karlsruhe, Germania), (Toronto)
Augmented reality:
Latitudine: 43.76956
Longitudine: 11.255814
Portali di augmented reality: App: Wikitude, Canale: EduEDA
Bibliografia
NOTA: "Le arti delle Reti" è il progetto di un libro in attesa di pubblicazione
